Ka’nikonhrí:yo Gatherings: Alan Corbiere and Katsitsionni Fox

We are pleased to announce the next two speakers for the Ka’nikonhrí:yo Gatherings:

The Ka’nikonhrí:yo Gatherings connects cultural leaders to the Indigenous community in Toronto. Leaders who discuss identity, wellness, language revitalization, traditional arts, ceremony, and history, as well as issues that face our communities such as climate change and the environment, decolonization, reconciliation, and sovereignty. Through monthly presentations, based on each leader’s own distinct nation and culture, the gatherings strengthen, empower, and support our community members. Ka’nikonhrí:yo means to have a good mind in Kanien’kéha (Mohawk).

This Month’s Gathering: 

Anishinaabe Wampum and Treaty Teachings with Alan Ojiig Corbiere. 

Wednesday, April 26, 2017 | 7pm – 9pm
CSI Annex, The Garage, 720 Bathurst St, Toronto
FB Event Page: https://www.facebook.com/events/277082162742712/

Cultural Leader

Alan Ojiig Corbiere, Bne doodem (Ruffed Grouse clan), is an Anishinaabe from M’Chigeeng First Nation on Manitoulin Island.  He was educated on the reserve and then attended the University of Toronto for a Bachelor of Science, he then entered York University and earned his Masters of Environmental Studies.  During his masters studies he focused on Anishinaabe narrative and Anishinaabe language revitalization.  For five years he served as the Executive Director at the Ojibwe Cultural Foundation (OCF) in M’Chigeeng, a position which also encompassed the roles of curator and historian. Currently he is the Anishinaabemowin Revitalization Program Coordinator at Lakeview School, M’Chigeeng First Nation, where he and his team are working on a culturally based second language program that focuses on using Anishinaabe stories to teach language.

Next Month’s Gathering: 

In partnership with imagineNATIVE Film + Media Arts we will present the film Ohero:kon – Under the Husk, followed by a Q&A with director and producer Katsitsionni Fox. 

Saturday, May 20, 2017 | 2pm – 4pm
Jackman Hall, AGO, 317 Dundas Street West, Toronto
FB Event Page: https://www.facebook.com/events/140348039831108/

Ohero:kon – Under the Husk

Ohero:kon – Under the Husk” is a documentary following the journey of two Mohawk girls as they take part in their traditional passage rites to becoming Mohawk Women. Kaienkwinehtha and Kasennakohe are childhood friends from traditional families living in the Mohawk Community of Akwesasne that straddles the U.S. / Canada border. They both take part in a four- year adolescent passage rites ceremony called Oheró:kon “Under the Husk” that has been revived in their community. This ceremony challenges them spiritually, mentally, emotionally and physically. It shapes the women they become.

Director and Producer

Katsitsionni Fox, (Writer/Director/Producer) has been making films since 2003 in the Mohawk Territory of Akwesasne, where she resides. Her credits include: Sacredly Stoked, a short drama related to the traditional uses of tobacco. This film was distributed across Ontario and partially funded by Cancer Care Ontario. She has also produced several short films that relate to domestic violence awareness and environmental awareness. Katsitsionni directed and produced the film “Ohero:kon – Under the Husk” a documentary following the journey of two Mohawk girls as they take part in their traditional passage rites to becoming Mohawk Women. Katsitsionni received the Jane Glassco Award for Emerging Filmmaker at the imagineNATIVE Film Fesitival in 2016 as well as the Achievement in Documentary Filmmaking Award at LA Skins Fest in 2016.

imagineNATIVE Film + Media Arts

imagineNATIVE is the world’s largest presenter of Indigenous screen content. The organisation is recognised locally, nationally, and internationally for excellence and innovation in programming and as the global centre for Indigenous media arts. imagineNATIVE (legal entity: The Centre for Aboriginal Media) is a registered charity committed to creating a greater understanding of Indigenous peoples and cultures through the presentation of contemporary Indigenous-made media art (film, video, audio and digital media).

Our Final Event in the Kwe Performance Series: Jennifer Kreisberg with Guest Artist, March 30 – 31

 

Join us Friday, March 31, for renowned Tuscarora singer Jennifer Kreisberg.

Jennifer will be accompanied by Derek Miller & Cheri Maracle and the evening will include guest artists Kristi Lane Sinclair and the Hidden River Singers. This concert is part of our final Kwe Performance Series events for the season, and please note that the previously announced performance with Ulali Project has been rescheduled to Fall 2017 .

Performance: Friday, March 31, 8:00pm

Venue: The Conversation Room, The Great Hall, 1087 Queen St W. Toronto

Tickets: Adults $20.00/Elders, Students, Underemployed & Art Workers $10.00

On March 30, at the University of Toronto, Jennifer will present a free workshop at the Faculty of Music with discussions about traditional and modern Tuscarora life. She will perform and discuss hand drum songs, invite participants to join in, and answer questions.

Free Workshop: Thursday, March 30, 10:00am – 12:00pm

Venue: Faculty of Music, University of Toronto, Edward Johnson Building – Room 330, 80 Queen’s Park Crescent Toronto

For more info: events@nwia.ca

Join the Facebook Event Page:

https://www.facebook.com/events/1938035886427179/

Artist Bios:

Jennifer Kreisberg

Mother, Singer, Composer, Producer, Teacher, and Activist: Jennifer Kreisberg (Tuscarora, North Carolina) comes from four generations of Seven Singing Sisters through the maternal line and has been singing since she was young. She is known for her fierce vocals and soaring range. Her lilting, breath-taking harmonies will delight your ears.

Jennifer has been singing with the critically acclaimed Native women’s trio Ulali since she was seventeen. Her voice has perfectly woven the high strand of Ulali’s renowned harmony with incomparable skill, and grace for over seventeen years, helping to create a new sound in Indian Country. Adding to the group, her sharp wit and stage presence infused Ulali’s shows with strong vocals, humor and camaraderie with the audience.

Jennifer was a Master Teaching Artist for the State of Connecticut Commission on the Arts for over four years. She is frequently called upon to guest lecture and conduct vocal workshops at universities, schools, Native communities and at festivals throughout the United States and Canada. She has done background vocals for various groups and voice-overs for commercials some of which feature her own compositions and highlight her production skills.

Derek Miller

Guitarist and singer/songwriter Derek Miller is a journeyman musician with eclectic taste and a knack for blues-inflected roots rock. Born on the Six Nations of the Grand River, Mohawk Territory, in Canada in 1974, Miller became interested in music in his early teens, and by the late ’90s had not only toured with iconic Canadian vocalist Buffy Sainte-Marie, but had also won a Canadian Aboriginal Music Award. In 2000 he performed on and co-produced Keith Secola & the Wild Band’s album Fingermonkey. Then, in 2002 he released his debut album, Music Is the Medicine, for which he garnered a Juno Award. Extensive touring followed his debut success, and by 2005 Miller found himself exhausted and struggling with drug and alcohol dependency. Subsequently, he entered rehab and spent the next year or so working to regain his physical, mental, and spiritual health. In 2007 he released his sophomore effort, The Dirty Looks.

Cheri Maracle

Cheri Maracle is a multi- award nominated Singer and Actress from the Six Nations of the Grand River Territory, Ontario. Cheri has been performing in Canada, the U.S. and Europe in the last 20 years, and has extensive music, theatre, television & film credits to her name. Cheri’s early music influences began in Women’s traditional hand drum group Tiyoweh. She then penned two original music albums, Closer To Home (2006), and If I Am Water (2013), to critical acclaim.

Kirsti Lane Sinclair

Fierce and feisty, Haida/Cree singer-songwriter Kristi Lane Sinclair is emblematic of a new wave of Canadian indigenous artists who are turning perceptions upside down. Raised in British Columbia’s backwaters, and drawing more from a DIY/indie aesthetic than traditional or mainstream music, Sinclair’s musical roots create a darkly intoxicating mix of grunge, folk and classical. Her smoky folk is rich and orchestral, underpinned with alternately snarling guitars and warm strings. Watch her six-part documentary series airing on APTN, Face the Music follows Kristi’s journey as she releases and tours her latest album.  Her latest “sonic acoustic” and forth album, The Ability to Judge Distance, will see a summer 2017 release.

Hidden River Singers

Michelle St. John, Rose Stella and Shandra Spears from the Hidden River Singers are some of Toronto’s best and most innovative Indigenous women singers, songwriters, actors and arts activists. They first came together during the Idle No More protests and sang to honour the life and memory of the late Misty Upham for imagineNATIVE film and media art festival 2014. They opened the “Strong Women, Strong Voices” event at the Aboriginal Pavilion during the Pan Am Games, and performed at “Maadaaizi Summer Journeys.”  They have been featured at book launches for Charlie Angus, Leanne Simpson and Pam Palmater, and have performed at opening ceremonies for a number of special women’s events.  Most recently, Hidden River Singers recently performed as part of the “Honouring our Families” event for the Toronto Central Regional Cancer Program.

The Kwe Performance Series is the evolution of NWIA’s long-standing Catalyst Series. Under the new name and with new direction, the Kwe Performance Series presents performances and workshops by performing artists from diverse nations and communities. The events always take place both in Toronto and in varying on-reserve and underserviced communities in arts in Ontario.

Miigwetch to all who made it out to the sold out performance for the Inuit Showcase at the Music Gallery with Kathleen Ivaluarjuk Merritt, Taqralik Partridge, and Nukariik! And to our second event in partnership with the Feminist Art Conference (FAC) at OCAD University, Sadie Buck and the Hey He Yays!

Ka’nikonhrí:yo Gatherings: A new series

Native Women in the Arts is pleased to announce the Ka’nikonhrí:yo Gatherings: A new series starting with a hand drum making workshop on March 5, 2017.

The Ka’nikonhrí:yo Gatherings will connect cultural leaders to the Indigenous community in Toronto and will strengthen, empower, and support our community members through monthly lectures, discussions, and workshops. As an Indigenous arts and cultural organization, we are dedicated to supporting our community by offering programming that is rich in cultural content and that contributes to the process of reclaiming culture.

In the Ka’nikonhrí:yo Gatherings, we will present leaders who can discuss identity, wellness, language revitalization, traditional arts, ceremony, and history, as well as issues that face our communities such as climate change and the environment, decolonization, reconciliation, and sovereignty. These discussions will be through teachings within an Indigenous context, and based on each leader’s own distinct nation and culture.  Ka’nikonhrí:yo means to have a good mind in Kanien’kéha (Mohawk).

We are pleased to present the first three speakers in the series:

  • Hand Drum Making with Clayton Samuel King, March 2017
  • Wampum and Treaties with Alan Corbiere, April 2017
  • Under the Husk Film and Rights of Passage with Katsitsionni Fox, May 2017

Clayton Samuel King “Waab-Shki-Makoons” will present a hand drum making workshop at the Centre for Social Innovation, with discussions about traditional and modern Anishinaabe life. He will guide each participant as they create their own hand drum,discuss Anishinaabe teachings sounding the drum, and answer questions.

Workshop: Sunday, March 5, 12-5pm
Centre for Social Innovation, 4th Floor – Innovation Lab, 215 Spadina Ave, Toronto
For more info:
events@nwia.ca

Clayton Samuel King “Waab-Shki-Makoons” is a professional artist who graduated in April 2010 with a Fine Art Advanced Diploma from Fanshawe College in London, Ontario. Clayton has painted predominantly with acrylics, but works with other mediums like photography, sculpture, graphite, traditional First Nation’s crafts, and he also performs as a Northern Traditional Pow Wow Dancer. He has displayed his art in four solo exhibitions and 22 selected group exhibitions since his studies. Clayton contributes in the education sector in Simcoe County by doing First Nations painting and cultural interpretive workshops that help bridge an understanding of First Nations art and history to native and non-native students alike. Born and raised in St.Catharines, Ontario, Clayton has been a resident of Barrie, Ontario, since the fall of 2011. He has also run his business White Bear Art since that time as well. Clayton Samuel King is of Potawatomi descent and is a member of Beausoleil First Nation.

 

Join us for Women’s Hand Drumming with Veronica Johnny in partnership Red Pepper Spectacle Arts

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This series of women’s hand-drumming sessions are intended as practice and learning spaces for emerging and novice drummers. Origin stories of songs, protocols, leading songs, and cultural contexts will be integrated into the teaching of each song, and participants are encouraged to share their knowledge. These sessions aim to respect a diversity of teachings and beliefs, and all participants are asked to attend with this intention in mind.

Current Dates:
Tuesday, January 17th & 31st
Tuesday, February 14th & 28th
Tuesday, March 14th & 28th

Please register by sending an email to: info@nwia.ca.

Veronica Johnny (Cree/Dene/Two-Spirit) is a traditional & contemporary Aboriginal hand-drummer from Fort Smith, NWT. She shares indigenous teachings, hosts drum circles and sings healing songs for the good of all life everywhere. She facilitates arts-education workshops including self-esteem, music and cultural teachings. Veronica is also a singer/songwriter and the front woman, vocalist and manager of The Johnnys, a high-energy rock band she founded with husband Dave Johnny

These sessions are open to all female-identified and non-binary individuals. Please note that you must provide your own hand-drum or shaker to participate.

Sessions are FREE though registration is requested. Please send your name and email address to info@nwia.ca, along with any questions you may have. There is no deadline for registration, and this circle will invite new members continuously.

A light snack and refreshments will be provided. Children are always welcome. Please note that childcare is not provided.

 

Call for Nominations for the 2017 Annual Barbara Laronde Award – Due May 1!

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Call for Nominations: This call for nominations is open to self-identified Indigenous female emerging artists living in Northern Ontario.

Please note that you can self nominate or an individual can nominate an artist to receive this award. Eligibility:

  • To be considered for an award the artist must be an Indigenous woman living in Northern Ontario (open to Métis, Inuit, Status and Non-Status peoples)
  • Must be 18 years of age or older
  • Open to all artistic disciplines including traditional/customary arts
  • All Indigenous female artists are encouraged to apply.
  • Individuals can submit an application to nominate an artist they feel deserves this award.

To apply please submit the following:

  • One-page letter outlining why you or the artist should receive this award
  • Submit images/audio/written/video support material of artwork to support the application
  • A full length bio and resume
  • If you are submitting on behalf of yourself please include a letter of support from someone who is familiar with your career in the arts

Application Deadline: Monday May 1, 2017 / Email to: info@nwia.ca

Value of Award: $1500

Definition of an emerging artist is:

  • One who has some evidence of professional achievement but not a substantial record of accomplishment
  • Not recognized as established artists by other artists, curators, producers, critics, and arts administrators.
  • Artists who show significant potential, yet are under-recognized