National Poetry Month 2026 — Land & Sea, Presented by Native Women in the Arts, the League of Canadian Poets, and the University of Toronto First Nations House, on Thursday, April 30, 2026, with Rosanna Deerchild.

Native Women in the Arts (NWIA) invites you to celebrate National Poetry Month 2026 in April, with resources, materials, funding, and opportunities made possible with the support of the Canada Council for the Arts, the Ontario Arts Council, the Toronto Arts Council, and the Department of Canadian Heritage.

National Poetry Month 2026 will shape itself around the theme Land & Sea: Mother Earth began with spirit — first water, then land — alive and sacred. To walk on the land and touch her waters is an act of respect and gratitude. Every stone, stream, mountain, and drop of water is a teacher; every breeze, a messenger. We are called to listen, honour, by giving thanks through acts with care. Speaking with water and land we acknowledge its life-sustaining gifts; carrying the lessons of the past into the future through ceremony.

This National Poetry Month, the League of Canadian Poets, First Nations House, and NWIA invite poets and readers to explore their relationship with water and land — to write, reflect, and celebrate our shared responsibilities and the sacred bonds that sustain us all.

On Thursday, April 30, 2026, we invite you to join us for an evening of poetry readings with guest artist Rosanna Deerchild, and five selected Indigenous readers. Each poet will be given the opportunity to present their poems with the theme of Land & Water. Each selected poet will be provided with a reader fee of $150.00 CAD, pre-register is required by end of day, Monday, April 27, 2026. Audiences will also have the opportunity to connect with Bobbie Lee Journal, who will be present with publications and information for contributors.

National Poetry Month 2026 – Land & Sea 
Thursday, April 30, 2026 | 5PM – 8PM
The Teaching Lodge – 33 Willcocks Street, Toronto, ON
Cost: FREE

Spots are limited, please register for this event with bailey.bornyk@utoronto.ca.
Reader Callout – NPM 2026, Land & Sea – Fill out this form. 
U of T registration link: https://folio.utoronto.ca/students/events/detail/6820269

For more information contact fnhresource.centre@utoronto.ca.

ROSANNA DEERCHILD

Rosanna Deerchild (She/Her) is Cree, from O-Pipon-Na-Piwan Cree Nation.Her first play, with Winnipeg’s RMTC’s Pimootayowin Creators Circle, The Secret to Good Tea was the first Indigenous-written play to debut on their mainstage for their 2023 season. It was produced by The Grand Theatre in London, Ontario and Ottawa’s NAC Indigenous Theatre in the 2025 season. 
As the host of Unreserved (CBC Radio One, Sirius XM, US Public Radio and Native Voice One) Rosanna shares Indigenous community, culture and conversation.She has written three collections of poetry: this is a small northern town, calling down the sky, and she falls again, which won the Indigenous Voices Award for poetry in 2025. 

BOBBIE LEE JOURNAL

Bobbi Lee: a Collection of Indigenous Knowledges, is named in honour of Lee Maracle’s iconic 1975 autobiographical work Bobbi Lee Indian Rebel. The editorial team, comprised of Indigenous students at the University of Toronto, are seeking to establish a platform for Indigenous scholarly and creative work. We are seeking both academic works, such as research essays, along with creative works including poetry, short stories, screenplays, visual art, and videos. All mediums are accepted for publication. We welcome self-identifying Indigenous folks from across Turtle Island to submit their works. This includes those outside of post-secondary institutions, and those located in non-urban spaces or reserve communities.

THE LEAGUE OF CANADIAN POETS

The League of Canadian Poets is Canada’s only national professional poetry organization. The League serves the poetry community and promotes a high level of professional achievement through events, networking, projects, publications, mentoring, and awards. We administer programs and funds for governments and private donors and encourage an appreciative readership and audience for poetry through educational partnerships and presentations to diverse groups. As the recognized voice of Canadian poets, we represent poets’ concerns to governments, publishers, and society at large, and we maintain connections with similar organizations at home and abroad. The League strives to promote equal opportunities for poets from myriad literary traditions and cultural and demographic backgrounds.Members of the League are professional poets who are actively contributing to the development, growth, and public profile of poetry in Canada.

FIRST NATIONS HOUSE – UNIVERSITY OF TORONTO INDIGENOUS STUDENT SERVICES 

The First Nations House, provides culturally relevant services to Indigenous students to support academic success, personal growth and leadership development. We offer learning opportunities for all students to engage with Indigenous communities at U of T and beyond.

NATIVE WOMEN IN THE ARTS
Native Women in the Arts (NWIA) is a not-for-profit organisation for First Nations, Inuit and Métis women and other Indigenous gender marginalized folks who share the common interest of art, culture, community and the advancement of Indigenous peoples.

Haudenosaunee Culture Week Celebrates Indigenous Knowledge, Art, and Resilience in Toronto, March 30 – April 2026, presented with the Centre for Indigenous Theatre.

Experience powerful storytelling, movement, and cultural connection. From workshops and Experience powerful storytelling, movement, and cultural connection. From workshops and dance to film, this week brings together artists, knowledge keepers, and community to celebrate Haudenosaunee culture and resilience.

March 30 – The Centre for Indigenous Theatre & SASS

Residential Schools: The Art of Survival Through Defiance – 10:30AM – 12:30PM

Day 1 centers on storytelling, resistance, and cultural resilience through film, discussion, and hands-on learning.

Participants will engage with What If… Kahhori Reshaped the World? (2023), an episode that reimagines history through an Indigenous lens. Developed in close collaboration with Mohawk Nation knowledge keepers, including historian Doug George-Kanentiio and language expert Cecelia King, the work foregrounds cultural authenticity while exploring themes of power, identity, and alternate futures.

A keynote talk by Doug George-Kanentiio, an Akwesasne Mohawk residential school survivor, journalist, and cultural advocate, will provide critical insight into the lived realities of residential schools and the enduring strength of Haudenosaunee peoples. His decades of work in media, governance, and advocacy ground this session in both historical knowledge and contemporary resistance.

Corn Husk Dolls Legends and Teachings – 1:00PM – 4:00PM

The day also includes a Corn Husk Doll workshop, where participants will learn the story of the Onę́ste’ doll and create their own piece. This session emphasizes relational responsibility, balance, and the Haudenosaunee concept of the Good Mind (Kanikuhliyó).

The workshop is presented by Dr. Kahawhitha Leah Shenandoah, a Wolf Clan member of the Oneida Nation and Assistant Professor at OCAD University. Her interdisciplinary practice spans visual art, design, music, and scholarship, exploring Indigenous material culture, identity, and resurgence. Her work bridges artistic practice and research, creating pathways for cultural continuity, healing, and creative sovereignty.


March 31 – The Native Canadian Centre of Toronto

Entering the Circle: Haudenosaunee Smoke Dance – 1:00PM – 4:00PM

Day 2 focuses on movement, embodiment, and cultural knowledge through Smoke Dance.

This workshop introduces participants to foundational footwork, rhythm, and timing, while emphasizing respect, awareness, and confidence when entering the dance circle. Designed for both beginners and experienced dancers, the session offers a supportive environment for learning through practice, storytelling, and mentorship.

Led by champion dancers, participants will develop stamina, control, and presence, while gaining insight into the cultural responsibilities carried through dance and participation in the powwow arena.

Facilitators include:

  • Tekatsi’tsanèken Everstz, Bear Clan (Kahnawà:ke), a two-time World Smoke Dance Champion who has performed and taught internationally, bringing deep cultural knowledge and lifelong experience in the powwow circle.
  • Jennifer Martin, Turtle Clan (Six Nations), an award-winning dancer with decades of experience, committed to mentoring and supporting the next generation.
  • Adriel Harjo, a young Turtle Clan dancer from Six Nations, representing emerging leadership and the continuation of Smoke Dance traditions.

Participants will leave with strengthened technique, increased confidence, and a deeper understanding of carrying Haudenosaunee identity within the circle.


 April 2– The Centre for Indigenous Theatre

Film Screening & Artist Talk – 11:00AM – 1:00PM

The final day highlights contemporary Indigenous storytelling through film.

A screening will be followed by an artist talk with Jessie Anthony, a Haudenosaunee filmmaker from Six Nations of the Grand River. A graduate of Capilano University’s Indigenous Independent Filmmaking Program, Anthony is an award-winning writer, director, and producer.

Her debut feature film, Brother, I Cry, received multiple awards, including the Audience Choice Award at imagineNATIVE and recognition for Best Screenwriting and Direction. She is also the producer of the Indigenous queer series Querencia and continues to develop work across film and television with major industry partners.

Through this session, participants will gain insight into Indigenous storytelling in contemporary media, as well as the creative processes and industry pathways shaping the next generation of Indigenous filmmakers.

Help Us Keep the Arts Thriving in Our Community

This Giving Tuesday, we’re celebrating the power of Indigenous creativity. 

The arts connect, inspire, and transform, your support makes it all possible. Native Women in the Arts is dedicated to supporting multi-disciplinary artistic expression by connecting, training and presenting emerging, mid-career and established artists whose work reflects a commitment to art, culture, community, and the advancement of Indigenous people.

Your donation directly supports artist fees, mentorships, and community programs that centre Indigenous creativity, culture, and dialogue, sustaining the spaces where Indigenous artistry can continue to flourish. Every contribution, big or small, helps nurture a vibrant and resilient creative community.

Kwe Performance Series: Voices – Mare Advertencia 


Native Women in the Arts is a registered charity and there are two ways to donate:

1. Donate online via Canada Helps https://www.canadahelps.org/en/dn/44588

A receipt will be generated for you automatically.

2. Donate by cheque or money order. Make payable to Native Women in the Arts and indicate donation in the memo section of the cheque.

Mail to:

Native Women in the Arts

208 – 180 Shaw Street

Toronto, Ontario

M6J 2W5

Please include a note with your cheque that indicates the name that should appear on receipt, your mailing address and email address to receive your receipt.Donations are tax deductible.   

Niawen’kó:wa for believing in the power of art and community.

Visit www.nwia.ca for more info. 

Nominations are Now Open for the 11th Annual Barbara Laronde Emerging Artist Award Deadline January 31, 2026

This award recognizes outstanding emerging Indigenous (Status and Non-Status First Nations, Métis, Inuit) artists from Northern Ontario who are women or otherwise gender marginalized/gender diverse (transfeminine, transmasculine, non-binary, Two Spirit, gender non-conforming). You can nominate yourself or nominate another artist. The winner will receive a cash prize of $5,000, and two shortlisted artists will receive prizes of $1,500 each.

Eligibility

  • Must be 18 years of age or older
  • Must be an Indigenous person living in Northern Ontario (Métis, Inuit, Status, and Non-Status First Nations peoples) with lived experience and demonstrable connection within an Indigenous community or communities. Distant, recently discovered or rumored Indigenous ancestry alone does not make an individual eligible for this award. NWIA respects the sovereignty and self-determination of all Indigenous Nations and these nations rights to determine who their citizens are. 
  • This award is for women and other gender-marginalized folks. NWIA respects trans women as women and uses the term “gender marginalized” to be inclusive of not only women but also transmasculine, transfeminine, non-binary, Two Spirit, and genderqueer folks. Cis-gendered, heterosexual men are not eligible for this award.
  • Must be at the emerging stages of an artistic career. NWIA defines an emerging artist as:
    • In the early stages of their career, regardless of age
    • Has created a modest body of work
    • Has had some evidence of professional achievement but may not yet have a substantial record of accomplishments.
    • One who is not yet recognized as an established or mid-career artist by other artists, curators, producers, critics, community members, and arts administrators.
  • Open to all artistic disciplines including:
    • Traditional/Customary Arts (examples: Beading, Carving, Quillwork, Tufting, Weaving)
    • Visual Arts (examples: Painting, Drawing, Sculpture, Installation, and Performance Art)
    • Performing Arts (examples: Dance, Music, Theatre) 
    • Media Arts (examples: Film, Video, New Media)
    • Literary Arts (examples: Prose, Poetry, Creative-Nonfiction, Spoken-Word)
  • Live in one of these geographical regions in northern Ontario:
    • Kenora District 
    • Algoma District 
    • Cochrane District 
    • Manitoulin District 
    • Nipissing District
    • Parry Sound District 
    • Sudbury District 
    • Timiskaming District 
    • Rainy River District 
    • Thunder Bay District
  • All eligible artists are encouraged to self-nominate.
  • Individuals can also nominate an eligible artist they feel deserves this award.
  • Individuals who have been shortlisted for the award previously are still eligible to win the award.
  • Previous winners of the Barbara Laronde Emerging Artist Award are ineligible to be shortlisted or win the award again.

Please ensure your nomination includes all of the following items :

  • Artist Resume or CV
  • Short bio up to 250 words max
  • A maximum 1-page letter outlining why you, or the artist you are nominating, should receive this award.
  • Images, audio, written, or video support material of your artwork. Please do not send more than 10 individual files or any originals. 
  • Maximum 1-page letter of support from the nominator or in the case of a self-nomination, a letter from someone who is familiar with the nominee’s career in the arts. 

Nominations Open: November 14, 2025

Nomination Deadline: January 31, 2026

Value of Award: $5,000 for winner/ $1,500 for two shortlisted nominees.

Award Jury: * NWIA Board of Directors

Submit your nomination and/or inquiries directly to Native Women in the Arts at awards@nwia.ca.

Please share this call on Facebook, Twitter, and by email to family and friends!

*In the event of a direct conflict of interest between an NWIA board member and a nominee, said NWIA Board members will recuse themselves from the selection process. Examples of direct conflicts of interest include a nominee being a family member, partner, employee, or employer of a board member, A board member being from the same community/band as a nominee, or having worked in collaboration with or curated a nominee in the past would not be considered a direct conflict of interest. 

Our Vision: To support and celebrate the achievement of Indigenous gender marginalized artists from Northern Ontario, and to provide financial support and career-enhancing opportunities to encourage their continued excellence.

The Impact: The Barbara Laronde Award is given in the spirit of fostering the careers of emerging artists from Indigenous (on and off-reserve) communities in Northern Ontario. NWIA recognizes the specific barriers that many Northern artists face, and we aim to support Indigenous artists by creating connections, professional development, and exhibition opportunities through our programming initiatives. Since 1994, NWIA has delivered theater, dance, music, and spoken word presentations, exhibited visual and media arts, and published three books of Indigenous visual art and writing. We also hold community-driven artist talks, workshops, commissions, and symposiums. Our programming is offered to diverse audiences in Toronto, Northern Ontario, and online.

The History: The Barbara Laronde award was created to honour the legacy of NWIA founder Sandra Laronde, and her vision and commitment to Indigenous artists Sandra Laronde’s 19 years of leadership at NWIA paved the way for many Indigenous artists at various stages of their careers. The award is named after her mother, Barbara, who has been the backbone of her family and a leader in the Northern Ontario community, Temagami First Nation. Barbara inspired her children to be creative and entrepreneurial, and it is with this spirit that NWIA launched this award.

For more info visit: www.nwia.ca/apply.

The Ontario Arts Council (OAC) Indigenous Visual Artists’ Materials (IVAM) program now open

The Ontario Arts Council (OAC) Indigenous Visual Artists’ Materials (IVAM) program supports Ontario-based First Nations, Inuit, and Métis artists working in the visual arts, crafts or traditional/customary Indigenous art forms to create art work. Grants of $500 or $1000 help cover the cost of buying art materials and supplies. The Ontario Arts Council (OAC) partners with recommender organizations throughout the province, which receive and assess IVAM applications from artists. Recommended applications are forwarded to OAC for payment directly to the artists.

Native Women in the Arts (NWIA) is an official third-party recommender. Using Nova, OAC’s online grant application system, an artist applies to an Indigenous organization designated as a recommender for the program. These recommenders assess applications and submit grant recommendations to OAC. This program is open to artists and Culture Carriers who are First Nations, Inuit, or Métis, who reside in Ontario. 

The 2025-2026 program is open from September 2025 until January 30, 2026, 1:00 p.m. ET.

 The IVAM grant can be used for the following expenses:

  • Materials and art supplies, such as wood, fabric, thread, stone, leather hides, sinew, beads, needles, photographic printing, inks, metals, paint, canvas, paper, pencils, etc.
  • Small tools for making artwork or for harvesting or gathering materials, such as blades, carving tools, awls, scissors, etc.
  • Materials or tools required to run or participate in workshops
  • Cost of transporting or shipping materials and supplies
  • Individual travel costs for gathering materials, such as to collect beading/sewing supplies or to gather natural materials on the land

Eligible art forms include, but are not limited to:

  • basketry (birch bark, black ash, willow, etc.)
  • beading
  • birch bark work
  • carving
  • drawing
  • drums, rattles and instruments
  • glass
  • hide tanning and fur processing
  • installation
  • jewellery
  • leather work
  • metal work
  • mixed media
  • moccasin making
  • painting
  • photography
  • pottery
  • printmaking
  • quillwork
  • sculpture
  • textile art (embroidery, quilts, weaving, etc.)
  • traditional regalia
  • traditional tattooing
  • tufting
  • woodworking (snowshoe making, tamarack goose making, etc.)

To apply, complete and submit an application in Nova, OAC’s online grant application system. Before applying, you must create or update your profile in Nova.

Read the full IVAM Program requirements here: 

https://www.arts.on.ca/grants/indigenous-visual-artists-materials

Questions? Contact NWIA’s Artistic Director, Quach George, at quach.nwia.ca.

Or Maggie Lucas, OAC’s Program Administrator at mlucas@arts.on.ca.

The Ontario Arts Council (OAC) Indigenous Visual Artists’ Materials (IVAM) program supports Ontario-based First Nations, Inuit, and Métis artists working in the visual arts, crafts or traditional/customary Indigenous art forms to create art work. Grants of $500 or $1000 help cover the cost of buying art materials and supplies. The Ontario Arts Council (OAC) partners with recommender organizations throughout the province, which receive and assess IVAM applications from artists. Recommended applications are forwarded to OAC for payment directly to the artists.

Native Women in the Arts (NWIA) is an official third-party recommender. Using Nova, OAC’s online grant application system, an artist applies to an Indigenous organization designated as a recommender for the program. These recommenders assess applications and submit grant recommendations to OAC. This program is open to artists and Culture Carriers who are First Nations, Inuit, or Métis, who reside in Ontario. 

The 2025-2026 program is open from September 2025 until January 30, 2026, 1:00 p.m. ET.

To apply, complete and submit an application in Nova, OAC’s online grant application system. Before applying, you must create or update your profile in Nova.

Read the full IVAM Program requirements here: 

https://www.arts.on.ca/grants/indigenous-visual-artists-materials

Questions? Contact NWIA’s Artistic Director, Quach George, at quach.nwia.ca.

Or Maggie Lucas, OAC’s Program Administrator at mlucas@arts.on.ca.