News – Native Women in the Arts

Native Women in the Arts presents the Kwe Performance Series: Voices, on Saturday, March 22, 2025, at the TD Music Hall, featuring Mare Advertencia, Bobby Sanchez, Dioganhdih, and Kimiwan.

Kwe Performance Series: Voices, is a culturally dynamic event that amplifies the perspectives of Indigenous women and gender-marginalized artists. Through a carefully curated lineup of performers including Mare Advertencia, Bobby Sanchez, Dioganhdih, and Kimiwan. Each featured artist brings their own lived experiences, cultural influences, and activist work to the stage, using their craft as a means of resistance, empowerment, and connection.

Through musically immersive soundscapes, this series highlights the ways in which Indigenous artists navigate identity, challenge colonial narratives, and advocate for social change. Whether through Mare Advertencia’s sharp political lyricism, Bobby Sanchez’s approach to gender and decolonization, Dioganhdih’s restorative rematriation methods, or Kimiwan’s sonic storytelling. Voices creates a platform where Indigenous experiences are acknowledged, centered, and celebrated.

Kwe Performance Series: Voices

Saturday, March 22, 2025, TD Music Hall, 178 Victoria Street, Toronto

General Admission – $25, Indigenous Discount Code: VOICES25

Doors 7PM, Show 8PM – 11PM

Tickets on Sale Now

MARE ADVERTENCIA (rapper, zapotec, feminist, and immigrant) is one of the most important Rap references in Mexico: since 2003 she has independently developed her project, she is self-taught, and self-manager.

Rap has allowed her to build her story and question her reality, dealing with uncomfortable issues on three productions, multiple collaborations, and projects as diverse as Narrativas y Memorias de la Desaparición en México (2021) (Narratives and Memories of Disappearance in Mexico), the album Un Canto Por México, Vol. 2 (A Chant for Mexico) of Natalia Lafourcade, and the soundtrack Black Panther: Wakanda Forever (2022), in which she collaborated with Vivir Quintana on the song “Árboles bajo el mar” (Trees under the sea).

She has claimed different political identities through her songs since the beginning of her career ; her voice has amplified and questioned the present reality based on a narrative that evolves constantly. Earlier, her work was more socially oriented, with collective questioning; as of now, she carries out a more introspective process, a process of grief and healing that allows her to embrace all her facets and to build up her new album.

Her path is not defined by a series of hits, rather by reaching places where she still walks while her voice, impact and work is recognized, through two decades; she establishes connections and carries out political and social actions outside of the music scene. She has given workshops at the Escuela para la Libertad de las Mujeres en Oaxaca (School for Freedom of Women in Oaxaca), she has collaborated in projects as the Colectivo Altepee in Veracruz, and she has managed spaces for women and dissents in Mexico City, this will soon grow into a label in which women’s work and dissents in music will make themselves visible.

BOBBY SANCHEZ (she/they) is a 29 year old poet, musician, model, painter, and personal trainer. Bobby identifies as trans as well as two-spirit in honor of her Indigenous ancestry. Her music and artwork cover topics of indigenous identity, environmental issues, LGBTQ+ discrimination and liberation on all fronts.

Some of her biggest accomplishments have been participating at the 2018 National Poetry Slam in Chicago, Performing at 2023 NYC Pride, 2024 Oakland Pride, Tulsa Pride, featuring in The July 2024 Issue of National Geographic, 14th annual Two-Spirit Powwow, and releasing 8 EPs since March 2021.

DIOGANHDIH (They/She) is a two-spirit Mohawk of Akwesasne, musician, MC, producer, and multi-disciplinary artist. Dioganhdih speaks on navigating and finding home through landback, rematriation, decolonization, and sovereignty work across Turtle Island. Dioganhdih’s art reflects the ever present and ongoing importance of honoring your individuality while being committed to uplifting your people and community. They are currently engaged in food sovereignty work across Haudenosaunee territory with their land based project, Iron Path Farms.

Dioganhdih self released two albums, Do it Ourselves (2017) & Rezbien (2021), and currently is working on their next studio album. They have performed internationally at Club Gretchen in Berlin, Asinabka Film & Media Festival in Ottawa, House of Vans in Brooklyn, Women’s Audio Mission in San Francisco, the SoundCloud Summer Party in Berlin, Pride Toronto, The Art House in New Orleans, on the frontlines at Oceti Sakowin Standing Rock, in countless DJ booths, stoops, bodegas, rooftops and park benches.

Dioganhdih’s music has been reviewed in The Fader, CBC Music, Afropunk, BitchMedia, APTN’s Digital Drum.

KIMIWAN is an Indigenous DJ, model, and fashion stylist based in Toronto. She made her debut in 2021 ‘Indigenous Grooves’, which celebrates Indigenous women and nonbinary artists in Toronto, along with sets at TD Music Hall and Toronto Pride, and a feature in Vogue Magazine. She skillfully uses her platform to amplify Indigenous voices and merge cultural heritage with modern creativity, leaving a lasting impact in both the music and fashion industries.

Kwe Performance Series

Voices is presented as part of the Kwe Performance Series which showcases Indigenous women and other gender marginalized Indigenous artists from diverse nations, and communities, leading to a deeper understanding and appreciation for Indigenous arts, culture, and community.

The Kwe Performance Series events include performances and workshops for the community in Toronto as well as outreach to on-reserve and under-serviced communities in Ontario.

City Hall Live Bridges

Kwe Performance Series: Voices, is presented and supported through Allied Music Centre and the City of Toronto City Hall Live Bridges, a new program dedicated to building relationships with venues to amplify local grassroots promoters who represent Toronto’s exciting and diverse live music culture.

This City Hall Live Bridges partnership was formed based on research facilitated by the City of Toronto with local promoters from equity-deserving groups, whose results highlighted that the most requested music facility to work with was Allied Music Centre – Toronto’s new music hub that is home to legendary Massey Hall, TD Music Hall and a new community theatre.

Allied Music Centre

Allied Music Centre is Canada’s new state-of-the-art cultural ecosystem featuring the legendary Massey Hall and three additional venues, all devoted to live music, artist development, community outreach, and educational programming.

About Native Women in the Arts (NWIA)

Established in 1993, Native Women in the Arts (NWIA) is a not-for-profit organization for First Nations, Inuit, and Métis women and other Indigenous gender marginalized folks from diverse artistic disciplines who share a common interest in culture, art, community and the advancement of Indigenous Peoples.

NWIA Presents unique artistic programming while developing, supporting, and cultivating practices in the performing arts, literary arts and publishing, visual arts, customary arts, and community development projects. NWIA’s influence has been felt in communities across Canada. We nourish and transform our communities by pursuing the highest standards of artistic excellence, and by offering development opportunities to emerging artists.

Native Women in the Arts Bids Farewell to Former Artistic and Managing Director and Welcomes New Artistic Director

There have been some exciting structural and staffing changes at Native Women in the Arts lately. We are delighted to announce that NWIA’s long-time Programming Manager Quach George has been appointed to the new position of Artistic Director!

Quach George first started working with NWIA in 2015 as a Programming Coordinator, eventually being promoted to Programming Manager. She comes to the position of Artistic Director with much knowledge of the organization, a deep commitment to our mandate, and a wide range of artistic, creative, administrative and presentation experience with other Indigenous arts organizations.

Quach George is succeeding Ariel Smith who held the position of Artistic and Managing Director from 2018-2023. After six years as both the artistic and administrative head of NWIA, Ariel has stepped down from her position due to a move out West to the unceded territories of the Musqueam, Squamish and Tsleil-Waututh peoples in Vancouver, and a desire to take time to focus on her own artistic practice.

Ariel is temporarily continuing to work for NWIA remotely from Vancouver in the position of Interim Administrator until a Toronto based replacement is secured. Keep your eyes out for a job call coming in April of 2024! In her role as Interim Administrator Ariel remains responsible for coordinating administrative operations of the organization, as well as grant writing, fundraising, and financial management.

The organization expresses its deep gratitude to Ariel for her contributions and visionary leadership during her tenure as Artistic and Managing Director. Ariel oversaw and curated numerous presentations including:

Inaabandam, a 3-day symposium held in January 2020 which foregrounded issues of concern and interest to Indigenous Women and other Indigenous Gender Marginalized artists, featuring teachings with elders; panel discussions with Indigenous artists, curators and leaders, a visual arts exhibition, and an opening reception that included live musical performances.

Native Americana: Indigenous Women in Roots Music, a concert series featuring Indigenous artists working in genres of country, bluegrass, blues and roots rock. Programmed artists included Samantha Crain, Dawn & Shawna Redskye, Celeigh Cardinal and Layla Creppel. Due to the pandemic the concert series was presented online. Each musician was commissioned to self-produce their own broadcast quality concert and was provided with the resources to do so. Afterwards the artists were able to maintain ownership of the videos.

Materialized, a visual art exhibition which opened in April 2023 examining themes of intergenerational memory, familial narrative, and decolonization. Combining portrait photography with elements from adornment arts, textiles, sculpture, and customary Indigenous art practices curated artists Joi T. Arcand, Celeste Pedri-Spade, Catherine Blackburn and Nadya Kwandibens all resist colonial meta-narratives contained in settler-made images of Indigenous portrait subjects.

Please join us in welcoming Quach to her new position!

Quach George’s long history with the NWIA coupled with her creative vision and passion for Indigenous arts, and community building make her the ideal person to lead NWIA into its next chapter. The transition between Artistic Directors marks an exciting time for NWIA as we continue to grow and seek new ways to support Indigenous women and otherwise gender marginalized Indigenous artists in the spirit of collaboration, community and celebration.

“I’m so happy to step into this role at NWIA and look forward to working in this new capacity within the community. I am honoured for this exciting opportunity and I want to thank Ariel Smith for all of her dedication and hard work over the years and join the NWIA board of directors in wishing her luck with all of her future endeavours.”
– Quach George, Artistic Director

Visit www.nwia.ca and join our social media pages to find out about upcoming activities, and hope to see you at our next event.

Nominations Now Open for the 9th Annual Barbara Laronde Emerging Artist Award. Deadline to apply is January 31, 2024.

This award recognizes outstanding emerging Indigenous (Status and Non-Status First Nations, Métis, Inuit) artists from Northern Ontario who are women or otherwise gender-marginalized (transfeminine, transmasculine, non-binary, Two Spirit, gender non-conforming). You can nominate yourself or another artist. The winner will receive a cash prize of $5,000 and up to 2 shortlisted artists will receive prizes of $1,500 each.

Eligibility

Must be 18 years of age or older
Must be an Indigenous person living in Northern Ontario (Métis, Inuit, Status, and Non-Status First Nations peoples).
This award is for women and other gender-marginalized folks. NWIA respects trans women as women and uses the term “gender marginalized” to be inclusive of not only women but also trans men and other transmasculine, transfeminine, non-binary, Two Spirit, and genderqueer folks. Cis-gendered, heterosexual men are not eligible for this award.
Must be at the emerging stages of an artistic career. NWIA defines an emerging artist as:
- In the early stages of their career, regardless of age
- Has created a modest body of work
- Has had some evidence of professional achievement but may not yet have a substantial record of accomplishments.
- One who is not yet recognized as an established or mid-career artist by other artists, curators, producers, critics, community members, and arts administrators.
Open to all artistic disciplines including:
- Traditional/Customary Arts (examples: Beading, Carving, Quillwork, Tufting, Weaving)
- Visual Arts (examples: Painting, Drawing, Sculpture, Installation, and Performance Art)
- Performing Arts (examples: Dance, Music, Theatre)
- Media Arts (examples: Film, Video, New Media)
- Literary Arts (examples: Prose, Poetry, Creative-Nonfiction, Spoken-Word)
Live in one of these geographical regions in Northern Ontario:
- Kenora District
- Algoma District
- Cochrane District
- Manitoulin District
- Nipissing District
- Parry Sound District
- Sudbury District
- Timiskaming District
- Rainy River District
- Thunder Bay District

All eligible artists are encouraged to self-nominate.
Individuals can also nominate an eligible artist they feel deserves this award.
Individuals who have been shortlisted for the award previously are still eligible to win the award.
Previous winners of the Barbara Laronde Emerging Artist Award are ineligible to be shortlisted or win the award.

Please ensure your nomination includes all of the following items :

Artist Resume or CV
Short bio up to 250 words max
A maximum 1-page letter outlining why you, or the artist you are nominating, should receive this award.
Images, audio, written, or video support material of your artwork. Please do not send more than 10 individual files or any originals.
Maximum 1-page letter of support from the nominator or in the case of a self-nomination, a letter from someone who is familiar with the nominee’s career in the arts.

Nominations Open: November 10, 2023

Nomination Deadline: January 31, 2024

Winner Announced: April 2024

Value of Award: $5,000 for prize winner/ $1,500 for up to 2 shortlisted nominees

Award Jury: *NWIA Board of Directors

Please submit your nomination directly to Native Women in the Arts at awards@nwia.ca You may also direct any inquiries regarding the award if you have any questions.

Please share this call on Facebook, Twitter, and by email to family and friends!

*In the event of a direct conflict of interest between an NWIA board member and a nominee, said NWIA Board members will recuse themselves from the selection process. Examples of direct conflicts of interest include a nominee being a family member, partner, employee, or employer of a board member, A board member being from the same community/band as a nominee, or having worked in collaboration with or curated a nominee in the past would not be considered a direct conflict of interest.

Our Vision: To support and celebrate the achievement of Indigenous gender-marginalized artists from Northern Ontario, and to provide financial support and career-enhancing opportunities to encourage their continued excellence.

The Impact: The Barbara Laronde Emerging Artist Award is given in the spirit of fostering the careers of emerging artists from Indigenous (on and off-reserve) communities in Northern Ontario. NWIA recognizes the specific barriers that many Northern artists face, and we aim to support Indigenous artists by creating connections, professional development, and exhibition opportunities through our programming initiatives. Since 1994, NWIA has delivered theater, dance, music, and spoken word presentations, exhibited visual and media arts, and published three books of Indigenous visual art and writing. We also hold community-driven artist talks, workshops, commissions, and symposiums. Our programming is offered to diverse audiences in Toronto, Northern Ontario, and online.

History: The Barbara Laronde Emerging Artist Award was created to honour the legacy of NWIA founder Sandra Laronde, and her vision and commitment to Indigenous artists Sandra Laronde’s 19 years of leadership at NWIA that paved the way for many Indigenous artists at various stages of their careers. The award is named after her mother, Barbara, who has been the backbone of her family and a leader in the Northern Ontario community, Temagami First Nation. Barbara inspired her children to be creative and entrepreneurial, and it is with this spirit that NWIA launched this award.

For more info visit: www.nwia.ca/apply

Native Women in the Arts is pleased to announce the shortlisted nominees and winner of the 8th Annual Barbara Laronde Emerging Artist Award

The Barbara Laronde Emerging Artist Award recognizes outstanding emerging Indigenous (Status and Non-Status First Nations, Métis, Inuit) artists from Northern Ontario who are women or otherwise gender marginalized (transfeminine, transmasculine, non-binary, gender non-conforming, Two Spirit). NWIA recognizes the specific barriers that many Northern artists face, and we aim to support Indigenous artists from Northern Ontario by creating connections, professional development, and performance opportunities through our programming initiatives.

Each of the five shortlisted nominees will be acknowledged with a $1,500 award and the winner will receive a prize of $5,000. The winner and their work will also be featured on our website.

The shortlisted nominees for the 8th Annual Barbara Laronde Award are Teddy Syrette, Evelyn Pakinewatik, and Cheavaun Toulouse.

The Winner of the 8th Annual Barbara Laronde Emerging Artist Awards is Storm Angeconeb.

Barbara Laronde Emerging Artist Award Recipient
Storm Angeconeb

Storm Angeconeb is an Ojibwe visual artist from Treaty Three Territory, Lac Seul First Nation. Who was born and raised in Winnipeg, Manitoba, and currently resides in Red Lake, Ontario.

Much of Storms’ work includes animals and birds as representations of herself or those close to her. Over the past few years, her artwork has been seen throughout Winnipeg from murals to lightboxes. Storm continues to practice her art through painting, digital art, and beadwork.

*Image: Storm Angeconeb, Creation Story, Digital.*

Storm Angeconeb was selected from a number of nominees from across Northern Ontario. NWIA’s Artistic Director, Ariel Smith remarked: “ On behalf of the Board and staff of NWIA, we are thrilled to present this award to Storm Angeconeb and to recognize her commitment to the development of her artistic practice. We are confident that Storm has a great future ahead of her and wish her, the shortlisted candidates, as well as all of the nominees the very best in their endeavors. NWIA is excited to support the continuing creative and professional achievements of Storm Angeconeb with a $5,000 cash prize and to acknowledge each of our shortlisted nominees: Teddy Syrette, Chevaun Toulouse, and Evelyn Pakinewatik with a $1,500 prize. A huge congratulations to all!”

*Image: Storm Angeconeb, Sisters, Digital.*

The Barbara Laronde Emerging Artist Award

The Barbara Laronde Emerging Artist Award was created to honour the legacy of NWIA founder Sandra Laronde and her vision and commitment to Indigenous artists. It celebrates and acknowledges the career of one outstanding, emerging, Northern-Ontario based Indigenous Gender Marginalized artist, recognizing the geographic and economic barriers that many Northern artists face. Sandra Laronde’s 19 years of leadership at NWIA paved the way for many Indigenous artists at various stages of their careers. The award is named after her mother, Barbara, who has been the backbone of her family and a leader in the Northern Ontario community, Temagami First Nation. Barbara inspired her children to be creative and entrepreneurial, and it is with this spirit that NWIA launched this award.

*Image: Storm Angeconb, Aandeg, Digital. *

Native Women in the Arts (NWIA)

Established in 1993, Native Women in the Arts (NWIA) is a not-for-profit organization for First Nations, Inuit, and Métis Women and other Indigenous Gender Marginalized Folks from diverse artistic disciples who share a common interest in culture, art, community, and the advancement of Indigenous Peoples.

Exhibition: Materialized

Native Women in the Arts and Critical Distance Centre for Curators are pleased to present Materialized in partnership with Scotiabank CONTACT Photography Festival and Partners in Art. The exhibition is curated by Ariel Smith and features works by Joi T. Arcand, Celeste Pedri-Spade, and Catherine Blackburn, with a public art billboard by Nadya Kwandibens.

On view: April 21 – June 3, 2023 / Opening reception: Friday, April 21, 2023

Image: Catherine Blackburn, Scooped (detail), 2017, photos, 24 kt gold-plated beads, seed beads, thread, 12 x 9cm. Courtesy of the artist.

Combining portrait photography with elements from adornment arts, textiles, sculpture, and customary Indigenous art practices, Materialized examines themes of intergenerational memory, familial narrative, and decolonization. By using their craft to reclaim portraiture as a form of self-expression and self-determination, each artist resists the colonial metanarratives contained in settler-made images of Indigenous subjects.

Images left to right: Celeste Pedri-Spade, Shirley’s Tobacco Bag, 2014, Delica beads, brain-tanned moose hide. Courtesy of the artist. Photo: Rebecca Bose.

Joi T. Arcand, Through That Which is Scene, 2014, found objects, photographs, acrylic sheets, wood, glue. Courtesy of the artist.

Through their multifaceted practices, the artists in Materialized individually and collectively raise—and unpack—crucial questions about photography: How can photographs—both archival and contemporary—support personal and familial histories? And how can these same photographs act as the basis for social, political, and conceptual explorations of Indigenous identity when they are put through a process of physical materialization?

Image: Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019, digital photography. Courtesy of the artist.

As a satellite component of this indoor exhibition, Animakee Wa Zhing #37 First Nation artist and recently appointed Toronto Photo Laureate, Nadya Kwandibens’ photograph Shiibaashka’igan: Honouring the Sacred Jingle Dress (2019) will be presented on a public billboard located outside Artscape Youngplace at 180 Shaw Street.

Please join us for the opening reception on April 21, 2023, from 6 PM to 8 PM. A panel with the artists and curator will take place on April 22, 2023, from 1 PM to 3 PM at Urbanspace Gallery. Capacity is limited, register on Eventbrite.

Opening Reception: April 21, 2012, 6 PM – 8 PM, 401 Richmond Building, Suite 122

Artists Panel: April 22, 2023, 1 PM – 3 PM, 401 Richmond Building, Ground Floor

Location & Accessibility Information

Critical Distance Gallery is located on the ground floor at 401 Richmond, a wheelchair-accessible building with a ramp at the Richmond Street doors, and an accessible washroom on every level. The gallery is equipped with automatic doors and access to exhibitions, artworks, publications, and events is prioritized from development through production for all programs. This exhibition will include visual description. Information on additional access measures will be posted as it becomes available. For further access-related questions, please contact Critical Distance Gallery at info@criticaldistance.ca.

Artists & Organizations

Celeste Pedri-Spade is an Anishinabekwe artist from Lac Des Mille Lacs First Nation. She identifies as a “mark maker” who works primarily with textiles and photography. Celeste holds a PhD in Visual Anthropology and is an Associate Professor in the Department of Anthropology at McGill University where she is also the inaugural Associate Provost of Indigenous Initiatives. Her art practice is committed to honouring the women in her life and exploring the tactile and sensuous meanings made possible through creative entanglements with our material environments.

Joi T. Arcand is an artist from Muskeg Lake Cree Nation, Saskatchewan, Treaty 6 Territory, currently residing in Ottawa, Ontario. She received her Bachelor of Fine Arts degree with Great Distinction from the University of Saskatchewan in 2006. In 2018, Arcand was shortlisted for the prestigious Sobey Art Award. Her practice includes installation, photography, and design and is characterized by a visionary and subversive reclamation and indigenization of public spaces through the use of Cree language and syllabics. She is currently a student at University nuhelotʼįne thaiyotsʼį nistameyimâkanak Blue Quills and a member of the art and curatorial collective: Wolf Babe.

Catherine Blackburn was born in Patuanak Saskatchewan, of Dene and European ancestry, and is a member of the English River First Nation. She is a multidisciplinary artist and jeweler, whose common themes address Canada’s colonial past which is often prompted by personal narratives. Her work merges mixed media and fashion to create a dialogue between historical art forms and new interpretations of them. Through utilizing beadwork and other historical adornment techniques, she creates space to explore Indigenous sovereignty, decolonization, and representation. Her work has been exhibited in notable national and international exhibitions and fashion runways.

Nadya Kwandibens is Anishinaabe from the Animakee Wa Zhing #37 First Nation in northwestern Ontario. She is an award-winning photographer and a Canon Ambassador. In 2008 she founded Red Works Photography. Red Works is a dynamic photography company empowering contemporary Indigenous lifestyles and cultures through photographic essays, features, and portraits. Red Works specializes in natural light portraiture and headshot sessions plus event and concert photography. Nadya’s photography has been exhibited in group and solo shows across Canada and the United States. She currently resides in Tkarón:to on Wendat, Haudenosaunee, Mississauga of the Credit River & Dish With One Spoon Territory.

Ariel Smith is an award-winning nêhiyaw, white settler and Jewish filmmaker, video artist, writer, and cultural worker. Having created independent media art since 2001, she has shown at festivals and galleries across Canada and Internationally.

Ariel has worked as a programmer/curator for such organizations as Saw Gallery, The Ottawa International Animation Festival, Reel Canada, imagineNATIVE, Canadian Filmmakers Distribution Centre, and the National Gallery of Canada. Ariel works as the Artistic and Managing Director of Native Women in the Arts and is in the process of completing an MFA in Film Production from York University.

Critical Distance Centre for Curators (CDCC), a not-for-profit gallery, publisher, and professional network devoted to the support and advancement of curatorial inquiry in Toronto, Canada, and beyond.

With a focus on critically-engaged, collaborative, and cross-disciplinary practices, underrepresented artists and art forms, and community outreach and education in art and exhibition-making, Critical Distance is an open platform for diverse curatorial perspectives, and a forum for the exchange of ideas on curating as a way to connect, engage, and inform people and publics across cultures, disciplines, geographies, and generations.

Native Women in the Arts (NWIA) is one of the leading arts organizations in Canada for Indigenous women and other gender-marginalized Indigenous artists working at the intersection of customary and contemporary practices. NWIA serves as a site of artistic exchange, encouraging dialogue between artists and audiences about social, cultural, and political issues and their relationship to artistic expression.

Nominations Now Open for the 8th Annual Barbara Laronde Emerging Artist Award

This award recognizes outstanding emerging Indigenous (Status and Non-Status First Nations, Métis, Inuit) artists from Northern Ontario who are women or otherwise gender marginalized (transfeminine, transmasculine, non-binary, Two Spirit, gender non-conforming). You can nominate yourself or another artist. The winner will receive a cash prize of $5,000 and up to 5 shortlisted artists will receive prizes of $1,500 each.

Eligibility

Must be 18 years of age or older
Must be an Indigenous person living in Northern Ontario (Métis, Inuit, Status, and Non-Status First Nations peoples).
This award is for women and other gender-marginalized folks. NWIA respects trans women as women and uses the term “gender marginalized” to be inclusive of not only women but also trans men and other transmasculine, transfeminine, non-binary, Two Spirit, and genderqueer folks. Cis-gendered, heterosexual men are not eligible for this award.
Must be at the emerging stages of an artistic career. NWIA defines an emerging artist as:
- In the early stages of their career, regardless of age
- Has created a modest body of work
- Has had some evidence of professional achievement but may not yet have a substantial record of accomplishments.
- One who is not yet recognized as an established or mid-career artist by other artists, curators, producers, critics, community members, and arts administrators.
Open to all artistic disciplines including:
- Traditional/Customary Arts (examples: Beading, Carving, Quillwork, Tufting, Weaving)
- Visual Arts (examples: Painting, Drawing, Sculpture, Installation, and Performance Art)
- Performing Arts (examples: Dance, Music, Theatre)
- Media Arts (examples: Film, Video, New Media)
- Literary Arts (examples: Prose, Poetry, Creative-Nonfiction, Spoken-Word)
Live in one of these geographical regions in Northern Ontario:
- Kenora District
- Algoma District
- Cochrane District
- Manitoulin District
- Nipissing District
- Parry Sound District
- Sudbury District
- Timiskaming District
- Rainy River District
- Thunder Bay District

All eligible artists are encouraged to self-nominate.
Individuals can also nominate an eligible artist they feel deserves this award.
Individuals who have been shortlisted for the award previously are still eligible to win the award.
Previous winners of the Barbara Laronde Emerging Artist Award are ineligible to be shortlisted or win the award.

Please ensure your nomination includes all of the following items :

Artist Resume or CV
Short bio up to 250 words max
A maximum 1-page letter outlining why you, or the artist you are nominating, should receive this award.
Images, audio, written, or video support material of your artwork. Please do not send more than 10 individual files or any originals.
Maximum 1-page letter of support from the nominator or in the case of a self-nomination, a letter from someone who is familiar with the nominee’s career in the arts.

Nominations Open: October 7, 2022

Nomination Deadline: December 31, 2022

Value of Award: $5,000 for prize winner/ $1,500 for up to 5 shortlisted nominees

Award Jury: *NWIA Board of Directors

Please submit your nomination directly to Native Women in the Arts at awards@nwia.ca You may also direct any inquiries regarding the award if you have any questions.

Please share this call on Facebook, Twitter, and by email to family and friends!

Our Vision for Award: To support and celebrate the achievement of Indigenous gender marginalized artists from Northern Ontario, and to provide financial support and career-enhancing opportunities to encourage their continued excellence.

The Impact: The Barbara Laronde Award is given in the spirit of fostering the careers of emerging artists from Indigenous (on and off-reserve) communities in Northern Ontario. NWIA recognizes the specific barriers that many Northern artists face, and we aim to support Indigenous artists by creating connections, professional development, and exhibition opportunities through our programming initiatives. Since 1994, NWIA has delivered theater, dance, music, and spoken word presentations, exhibited visual and media arts, and published three books of Indigenous visual art and writing. We also hold community-driven artist talks, workshops, commissions, and symposiums. Our programming is offered to diverse audiences in Toronto, Northern Ontario, and online.

History: The Barbara Laronde award was created to honour the legacy of NWIA founder Sandra Laronde, and her vision and commitment to Indigenous artists Sandra Laronde’s 19 years of leadership at NWIA paved the way for many Indigenous artists at various stages of their careers. The award is named after her mother, Barbara, who has been the backbone of her family and a leader in the Northern Ontario community, Temagami First Nation. Barbara inspired her children to be creative and entrepreneurial, and it is with this spirit that NWIA launched this award.

For more info visit: www.nwia.ca/apply

Native Women in the Arts is excited to launch its new online concert series “Home Fires” just in time for National Indigenous History Month!

The Home Fires series features pre-recorded full-length performances by Prado Monroe, G.R. Gritt, Angel Baribeau, Candace Curr with Withe, Leah Shenandoah, Melody McKiver, and RIIT.

These seven pre-recorded full-length concerts will be made available to the public to stream for free on NWIA’s YouTube Channel on June 1, 2022.

G.R. Gritt

Juno Award-winning G.R. Gritt pulls effortlessly from the past to create soulful futurisms. With their new sound that elegantly weaves the melodies using vocals, guitar, and electronic elements. they create both intimate and anthemic music that would fit in a folk club, a dance club, and anywhere in between. G.R. Gritt is a Two-Spirit, Transgender, Francophone, Anishinaabe and Métis artist.

Their music serves as one of these beacons of connection for all who come near it. Welcoming yet truthful, they reclaim space through songs that show that intersectional identity is expansive and not to be divided into parts. By exploring the emotional and cultural core of their heritage as a non-binary, queer, Indigenous artist they create new space and encourage others to do the same.

They are a Northern Ontario Music and Film Award (NOMFA) winning artist for Outstanding Album by an Indigenous Artist (for Quantum Tangle’s album “Shelter as we Go…”), and a nominee for Outstanding Engineer, and Outstanding Album. In 2021, they were nominated for 2 SSIMA Awards – Metis artist of the Year and Social Voice and they won the FMO Songs from the Heart – Political category Award.

G.R. Gritt released their full-length album, Ancestors, on April 16, 2021, on Coax Records, and their song “Ancestors ft. Kimmortal” made it onto Sirius XM Indigiverse’s Top 20 countdown for 2021.

Leah Shenandoah

Leah Shenandoah M.F.A, B.S., is a Wolf Clan Member of the Onyo’ta:aká: – Oneida Nation of the Haudenosaunee Confederacy. She is an indigenous scholar, artist, activist, and musician currently enrolled as an Apparel Design Ph.D. Candidate at Cornell University. Shenandoah combines indigenous methodologies, material culture, and activism to create a space of protection, comfort, and healing through her work.

Shenandoah received a Master’s of Fine Art from Rochester Institute of Technology in Metals and Jewelry, Magna Cum Laude. Her M.F.A thesis “O’whahsa’ – Protection, Comfort and Healing” was a multimedia experience based on the Haudenosaunee legend of Skywoman. It consisted of: five textile, paint, and steel sculptures, five sets of jewelry, five outfits, and a 45-minute DJ set with 12 original songs written and performed by Shenandoah at the Hungerford Gallery in Rochester, NY (YouTube link below). Shenandoah also received a Bachelor of Science in Textiles, Cum Laude from Syracuse University.

Her original compositions have received national and regional recognition. Shenandoah’s debut album, “Spectra” with producer JJ Boogie from Arrested Development, received a Native American Music Award for “Best Debut Album” and “Best Alternative Album” from the Syracuse Area Music Awards. Shenandoah’s art and jewelry have won awards from: Schemitzun Pow Wow, Eiteljorg Indian Market, & Ridgefield Fine Art Market. Her work has also been exhibited in national museums and exhibitions such as the “Changing Hands Exhibit” by the Museum of Art and Design, The McMichael Canadian Art Collection, Syracuse University Art Museum, Iroquois Museum, Longyear Museum, Fenimore Art Museum, National Museum of the American Indian, Bausch and Lomb Gallery, Institute of American Indian Art Museum of Contemporary Native Arts, Memorial Art Gallery, Lemoyne Art Gallery, Everson Museum of Art, Bevier Gallery, and the Alan Houzer Art Park. Shenandoah’s jewelry was showcased at the “Go Native Arts” fashion show with indigenous fashion designers Patricia Michaels and Dorothy Grant.

Prado Monroe

Born in Vancouver, Canada on the unceded territory of the Musqueam, Squamish, and Tsleil-Waututh First Nations peoples. Of Metis descent, her mom hails from the North End of Winnipeg – Point Douglas. Meanwhile, her father immigrated from Buenaventura, Colombia to Vancouver in the early 90s. Inspired by everything from Bjork, Whitney Houston, Nelly Furtado, Britney Spears, Crystal Waters – to the melodic trap sonics of Chief Keef, Azealia Banks, and Kanye West.

Prado Monroe was gifted her first guitar and quickly started self-producing and releasing music on Soundcloud under the moniker of “Alienkanye” at a prolific pace. The singer-songwriter, multi-instrumentalist and producer began leading pen to various artists; she was the contagious melodies behind various NY-based male internet rappers – further unearthing her love and disposition to wordplay and pop music, PM learned to lead without fear using her unique sound and no-bullshit delivery.

Candace Curr and Withe

Cedar withes are used by Nuu-chah-nulth and Haida nations to make rope; the more withes, the stronger the rope. A powerful performance with many musicians working together to create such strength and the more withes the stronger we are.

Candace Curr is a storyteller, artist, and musician from Ditidaht First Nation on Vancouver Island. With her voice and ukulele accompanied by Rob Thompson from Haida Nation, Clayton Charleybo from Tsilhqot’in Nation, Trevor Ainsworth, and Emily Best. Sentimental listening songs that make you reflect and feel, as Candace Curr & Withe share songs that explore their lives and experiences.

RIIT

From the land that never melts comes a sound that radiates life, youth, and promise. Riit, from majestic Panniqtuq, Nunavut, is a new artist making space for herself in the electropop world with Inuktitut lyrics and deep rhythmic vocals layered over gemological synth cuts and sticky, staticky electronic textures. Riot’s music emerges from very distinct circumstances of place, language, and experience.

Throughout her debut full-length album, produced by Graham Walsh (Holy Fuck) and recorded in Iqaluit, Nunavut, and Toronto, Riot sings about the clarity of forgiveness, the imprint of the past on the present, and personal disconnection. In Inuktitut, Riit’s songs explore family, life, and love. Riit also nods to Nunavut’s rich yet underapprecaited legacy of songwriters, with covers of Inuititut classics included on the record.

The monoamine-fueled flush of “qaumajuapik,” the first song shared from her forthcoming debut full-length album, expresses how intense attraction messes with your sense of time, where a single blink contains a universe. Heart races, clock stops. Produced by Graham Walsh (Holy Fuck), the song sweeps in on a buzzy gust before the Tangerine Dream-esque modulations kick in. Teardrop bleeps fall over Riit’s clear voice like a sunshower (the song title means ‘you are shining’).

On the strength of a 3-song EP released in 2017 by Aakuluk Music, Nunavut’s first record label, Riit was nominated for Best Radio Single (Indigenous Music Awards) and Indigenous Artist of the Year (Western Canadian Music Awards). The host of a groundbreaking Inuttitut-language children’s show, Anaana’s Tent, and soon-to-be recipient of an Emerging Talent Award of Excellence for her broadcast work, Riit is one of the faces of a Nunavut youth movement, a group of remarkable, driven and increasingly high-profile individuals who are creating mainstream waves through art. For an artist who has performed only a handful of shows, a performance in London for The Duke and Duchess of Sussex (Harry & Meghan) and a sold out show in Paris are highlights of a young career.

Now signed to Six Shooter Records, Riit will release her debut full-length album in 2019.

Melody McKiver

Melody McKiver’s (they/them) musical work integrates electronics with Western classical music to shape a new genre of Anishinaabe compositions. They are the current recipient of the Canada Council’s Robert Flaming Prize awarded annually to an exceptionally talented young Canadian composer, and a recurring invited participant in the Banff Centre for the Arts’ Indigenous Classical Music gatherings. A frequent performer across Turtle Island, Melody has performed at the National Arts Centre, Luminato Festival, Vancouver’s Western Front, and the Toronto International Film Festival. They have shared stages with Polaris Prize winners Lido Pimienta, Tanya Tagaq, and Jeremy Dutcher, and performed with acclaimed filmmaker and musician Alanis Obomsawin. As a composer, Melody was commissioned by Soundstreams and Jumblies Theatre to compose Odaabaanag, a string quartet responding to Steve Reich’s Different Trains, drawing on interviews conducted with Anishinaabe elders. Melody has scored several films and was invited to the Berlinale Talents Sound Studio as a music and composition mentor for the 2020 Berlin International Film Festival. Additional commissions have included Cluster Festival, Marina Thibeault, Duo AIRS, Carnegie Mellon University, TORQ Percussion, and the Elora Singers. A proud member of Obishikokaang Lac Seul First Nation, Melody is currently an Assistant Professor of Music Composition at the Brandon University School of Music and a member of the Mizi’iwe Aana Kwat (LGBTQ2S+ Council) within the Anishinaabe Nation of Treaty #3. Upcoming projects include a setting of Métis author Katherena Vermette’s poem river woman for SATB choir and percussion quartet and a full-length album in late 2022. Melody holds an MA in Ethnomusicology from Memorial University and a BFA in Music and Indigenous Studies from York University.

Angel Baribeau

With their breathtaking vocals paired and stunningly vulnerable lyrics that cascade over listeners’ emotional terrains, singer-songwriter Angel Baribeau is a notable force. This Montreal based, queer, non-binary, Indigenous artist originally from the Cree community of Mistissini, Quebec, first started through the formation of their early indie folk outfit, Simple Human Tribe. Their solo work gained momentum in 2014, when they were selected for feature on the #1 iTunes chart-topping N’we Jinan compilation album, Eeyou Istchee Volume 1.

Angel’s six-track EP’s debut single Love Is Up The River quickly garnered more than 20,000+ streams on Spotify and hit Top 10 on the NCI FM Indigenous Music Countdown. Their next single “Wish We Were Older” followed its path blazing its way to #1 on the Indigenous Music Countdown and was featured on CBC North & APTN National News. The official music video for the single won Best Music Video at the Toronto Indie Indie Shorts Film Festival 2021. Siibii’s gifts have attracted multiple recognitions including the Young Canadian Songwriters Award (2021) presented by SOCAN Foundation and the Canadian Walk of Fame, RBC Emerging Artist Program award (2021). Currently, Angel is casting their self-titled sophomore album, “Siibii”, set to be released in 2022, which will be an introspective compilation of works as they step into their reclaimed identity. Angel is a powerful changemaker, who unwaveringly upholds the responsibility they feel to pursue their talent while also pushing for more representation within the industry.

Native Women in the Arts (NWIA) is one of the leading arts organizations in Canada for Indigenous women and other gender marginalized Indigenous artists working at the intersection of customary and contemporary practices. NWIA serves as a site of artistic exchange, encouraging dialogue between artists and audiences about social, cultural, and political issues and their relationship to artistic expression.

Native Women in the Arts is pleased to announce the winner of the fifth annual Barbara Laronde Award: Joe Wood.

2019 Barbara Laronde Award Winner, Joe Wood

Joe Wood was born in Nelson House MB, is a member of South Indian Lake First Nation, and identifies as Cree and Scottish. Joe is a self-taught visual and media artist who was raised as disabled. Her artistic practice has been a way to release anger, probe the unknown, and to express herself as a two-spirit person. Whether painting, drawing with charcoal or working with digital tools, Joe fearlessly pushes boundaries through her thoughtfully composed, minimalist aesthetic. Joe is based in North Bay, Ontario and has been a core member of Art Fix of Nipissing – a collective of artists with lived experience of mental health and substance use – contributing to project development, the design of an annual zine, and juried exhibition.

“Joe Wood’s recent work provides a glimpse into her experiences as a Two-Spirit Cree woman raised in Canada’s child welfare and mental health systems. The work is fierce yet vulnerable but most importantly, it is generous because it fearlessly speaks to truths Canada needs to hear. Her multimedia installations are created with a minimalist aesthetic which delivers a subtle yet meaningful impact – one which echoes Wood’s persona. I am grateful to this year’s Barbara Laronde jury members for providing Joe with a well-deserved opportunity to advance her career as she moves forward in her artistic endeavours.” – Chair of the Board, Aylan Couchie.

Wood was selected from a number of applications from across Northern Ontario. NWIA’s Artistic Director, Ariel Smith remarked:

“ On behalf of the Board and staff of NWIA, we are thrilled to present this award to Joe Wood, in recognition of her talent, her resilience, and her commitment to her craft and community. We have no doubt she will continue to grow and evolve as a practising artist and wish her all the best in her future endeavours. NWIA is excited to support the continuing creative and professional achievements of Joe Wood with a $2500 cash prize.”

The 5th annual Barbara Laronde Award will be presented to Joe Wood on Friday, January 17 at 6 PM as part of NWIA’s Inaabandam Symposium.

The Inaabandam Symposium runs January 17 – 19, 2020, at the Toronto Media Art Centre (TMAC) located at 32 Lisgar Street in Toronto. The symposium will open with the award presentation followed by a performance from Melody McKiver, a catered reception and bar, and beats from DJ Jams.

In recognition of 2019/2020 being the 5th year of the Barbara Laronde Award, NWIA is also presenting a visual arts exhibition comprised of works by the 2015-2019 Barbara Laronde Award winners: Aylan Couchie, Janelle Wawia, Lucille Atlookan, Caitlyn Bird, and Joe Wood.

All events on Friday, January 17 are FREE and open to the community even if you will not be attending the symposium for its duration.

The Barbara Laronde Award Exhibition will be running from Friday, January 17, 2020 – Friday, January 31, 2020, daily from 11 AM – 6 PM at TMAC located at 32 Lisgar Street, Toronto, ON.

Join our FB Event Page: https://www.facebook.com/events/3293548850720515/

About the Barbara Laronde Award

The Barbara Laronde Award was created to honour the legacy of NWIA founder Sandra Laronde and her vision and commitment to Indigenous artists. It celebrates and acknowledges the career of one outstanding, emerging, Northern-Ontario based Indigenous Gender Marginalized artist, recognizing the geographic and economic barriers that many Northern artists face.

Sandra Laronde’s 19 years of leadership at NWIA paved the way for many Indigenous artists at various stages of their careers. The award is named after her mother, Barbara, who has been the backbone of her family and a leader in the Northern Ontario community, Temagami First Nation. Barbara inspired her children to be creative and entrepreneurial, and it is with this spirit that NWIA launched this award.

About the Inaabandum Symposium

The Inaabandam symposium will foreground issues of concern and interest to Indigenous Women and other Indigenous Gender Marginalized artists from multiple disciplines including film, performing arts, visual art, and customary practices.

Inaabandam will feature open teachings with elders, panel discussions, exhibition, and reception. The symposium will take place on January 17, 18 and 19, 2020, at the Toronto Media Art Centre. Registration for the symposium is now open.

For more information on Inaabandam and to register for the symposium please visit: http://www.nwia.ca/projects/inaabandam/

About Native Women in the Arts (NWIA)

Over 25 years, NWIA has delivered theatre, dance, music, and spoken word productions and published three books of Indigenous visual art and writing. We also produce a series of community-driven artist talks, leadership and cultural workshops, youth arts projects to audiences interested in arts, culture, and the advancement of Indigenous peoples.

*Gallery Photos by Liz Lott*

Inaabandam Symposium

Native Women in the Arts (NWIA) is pleased to officially announce the Inaabandam Symposium, co-presented with the Toronto Media Arts Centre.

REGISTRATION OPEN NOW!

Inaabandam will take place January 17, 18 and 19, 2020, at the Toronto Media Art Centre (TMAC) on the treaty lands and territory of the Mississauga of the Credit, and the traditional territories of the Huron Wendat, Haudenosaunee and Anishinaabe. Inaabandam (pronounced in-aw-buhn-duhm) means “to dream a certain way” in Anishinaabemowin.

The Inaabandam Symposium will foreground issues of concern and interest to Indigenous Women and other Indigenous Gender Marginalized artists from multiple disciplines including film, performing arts, visual arts, and customary practices.

Inaabandam will feature teachings with elders; panel discussions with Indigenous artists, curators and leaders; a visual art exhibition, and an opening night reception.

Panelist and moderators include Teddy Syrette, Melody McKiver, Tiio Horn, Janet Rogers, Jenny Blackbird, Kaya DaCosta, Joi T. Arcand, Vanessa Dion Fletcher, Susan Blight, Aylan Couchie, Darlene Naponse,Thirza Curhand, Fallon Simard, Niki Little, Megan Feheley, Jocelyn Piirainen, Raven Davies, Dan and Mary Lou Smoke, Elwood Jimmy, Pam Palmater, Tannis Neilson, and more!

On Friday, January 17, 2020, from 5 PM – 11 PM the Inaabandam Symposium will open with the presentation of the 5th annual Barbara Laronde Award to winner Joe Wood. This will be followed by a musical performance from Melody McKiver, and a catered reception with bar and beats by DJ Jams.

Friday, January 17, 2020, will also be the opening of the Barbara Laronde Award Exhibition, on site at TMAC. This special exhibition will include work from the winners of the 2015 – 2018 Barbara Laronde Awards: Aylan Couchie, Janelle Wawia, Lucille Atlookan, Caitlyn Bird, as well as the 2019 Barbara Laronde Award Winner – Joe Wood. All events on Friday, January 17 are free and open to the public even if you are not registering for the symposium and attending it for its duration.

The Barbara Laronde Award Exhibition will be running from Friday, January 17, 2020 – Friday, January 31, 2020, daily from 11 AM – 6 PM in TMAC’s “Small Gallery” at 32 Lisgar Street, Toronto, ON.

For more information on the Inaabandam Symposium, including schedule, event descriptions and accessibility, please visit the NWIA website www.nwia.ca/.

Registration

The cost of registration for the symposium will be $50 for the whole weekend or FREE for those who are low income. Registration for the symposium can be done at https://inaabandam.eventbrite.com.

Please note that after registering through Eventbrite NWIA will be sending delegates an Inaabandam Symposium info form to be filled out. This form allows us to get to know the needs of our symposium delegates (dietary, accessibility etc.) as we strive to best serve our community.

Travel Subsidy

NWIA is able to offer a limited amount of travel and accommodation subsidies for Indigenous delegates traveling from out of town, who would not otherwise be able to attend the symposium. Priority will be given to emerging artists and artists from more remote communities.

To apply for the travel subsidy complete this online form https://forms.gle/EahSZzLT1vR9Lyyr9.

Those who qualify will be contacted to book travel and accommodation.

Accessibility

At Native Women the Arts, we aim to create an environment that is considerate, barrier-free and accommodating to our community. Please visit our in-depth accessibility page before attending the symposium for more info http://www.nwia.ca/insymp19accessibility/

If you require further assistance in attending the conference please contact Program Manager, Quach George at events@nwia.ca.

Barbara Laronde Award

Toronto Media Arts Centre

The Toronto Media Arts Centre (TMAC) is a new permanent home for Toronto’s media arts organizations, and an accessible public space for art, creation and collaboration in the Queen West Triangle.

In the heart of Toronto’s Art and Design District, TMAC is a diverse and collaborative environment where everyone can engage meaningfully with art and technology. TMAC integrates creation, production, presentation, education, conservation and dissemination practices and with a focus on community building and inclusivity.

Native Women in the Arts

NWIA (Native Women in the Arts) is a not-for-profit organization for First Nations, Inuit and Métis women, and other Indigenous Gender Marginalized folks who share the common interest of art, culture, community and the advancement of Indigenous peoples.

**For NWIA “Gender Marginalized” includes Women, Trans Men, as well as Two Spirit people who may identify as Non-Binary or Gender Queer.

Inaabandam Symposium

SAVE THE DATE!

Native Women in the Arts (NWIA) is pleased to announce that we will be hosting a symposium titled Inaabandam January 17 – 19, 2020, in Toronto, Ontario.

The Inaabandam symposium will foreground issues of concern and interest to Indigenous Women and Gender Marginalized artists from multiple disciplines including film, performing arts, visual art, and customary practices.

Inaabandam will feature open teachings with elders, panel discussions, exhibitions, receptions, and screenings.

Inaabandam will take place January 17, 18 and 19, 2020, at the Toronto Media Art Centre on the treaty lands and territory of the Mississaugas of the Credit, and the traditional territories of the Huron – Wendat, Haudenosaunee, and Anishinaabe.

Registration for Inaabandam will begin on Friday, November 1, 2019.

The cost of registration will be $50 for the whole weekend or free for those who are low income and get be done through Eventbrite at https://inaabandam.eventbrite.com.

Inaabandam (pronounced in-aw-buhn-duhm) means to dream a certain way in Anishinaabemowin.

For NWIA “Gender Marginalized” includes Trans & Cis Women, Trans Men, as well as Two-Spirit people who may identify as Non-Binary or Gender Queer.

Stay tuned for the full program schedule and more details.