This award recognizes outstanding emerging Indigenous (Status and Non-Status First Nations, Métis, Inuit) artists from Northern Ontario who are women or otherwise gender marginalized (transfeminine, transmasculine, non-binary, Two Spirit, gender non-conforming). You can nominate yourself or another artist. The winner will receive a cash prize of $5,000 and up to 5 shortlisted artists will receive prizes of $1,500 each.
Eligibility
Must be 18 years of age or older
Must be an Indigenous person living in Northern Ontario (Métis, Inuit, Status, and Non-Status First Nations peoples).
This award is for women and other gender-marginalized folks. NWIA respects trans women as women and uses the term “gender marginalized” to be inclusive of not only women but also trans men and other transmasculine, transfeminine, non-binary, Two Spirit, and genderqueer folks. Cis-gendered, heterosexual men are not eligible for this award.
Must be at the emerging stages of an artistic career. NWIA defines an emerging artist as:
In the early stages of their career, regardless of age
Has created a modest body of work
Has had some evidence of professional achievement but may not yet have a substantial record of accomplishments.
One who is not yet recognized as an established or mid-career artist by other artists, curators, producers, critics, community members, and arts administrators.
Open to all artistic disciplines including:
Traditional/Customary Arts (examples: Beading, Carving, Quillwork, Tufting, Weaving)
Visual Arts (examples: Painting, Drawing, Sculpture, Installation, and Performance Art)
Performing Arts (examples: Dance, Music, Theatre)
Media Arts (examples: Film, Video, New Media)
Literary Arts (examples: Prose, Poetry, Creative-Nonfiction, Spoken-Word)
Live in one of these geographical regions in Northern Ontario:
Kenora District
Algoma District
Cochrane District
Manitoulin District
Nipissing District
Parry Sound District
Sudbury District
Timiskaming District
Rainy River District
Thunder Bay District
All eligible artists are encouraged to self-nominate.
Individuals can also nominate an eligible artist they feel deserves this award.
Individuals who have been shortlisted for the award previously are still eligible to win the award.
Previous winners of the Barbara Laronde Emerging Artist Award are ineligible to be shortlisted or win the award.
Please ensure your nomination includes all of the following items :
Artist Resume or CV
Short bio up to 250 words max
A maximum 1-page letter outlining why you, or the artist you are nominating, should receive this award.
Images, audio, written, or video support material of your artwork. Please do not send more than 10 individual files or any originals.
Maximum 1-page letter of support from the nominator or in the case of a self-nomination, a letter from someone who is familiar with the nominee’s career in the arts.
Nominations Open: October 7, 2022
Nomination Deadline: December 31, 2022
Value of Award: $5,000 for prize winner/ $1,500 for up to 5 shortlisted nominees
Award Jury: *NWIA Board of Directors
Please submit your nomination directly to Native Women in the Arts at awards@nwia.ca You may also direct any inquiries regarding the award if you have any questions.
Please share this call on Facebook, Twitter, and by email to family and friends!
*In the event of a direct conflict of interest between an NWIA board member and a nominee, said NWIA Board members will recuse themselves from the selection process. Examples of direct conflicts of interest include a nominee being a family member, partner, employee, or employer of a board member, A board member being from the same community/band as a nominee, or having worked in collaboration with or curated a nominee in the past would not be considered a direct conflict of interest.
Our Vision for Award: To support and celebrate the achievement of Indigenous gender marginalized artists from Northern Ontario, and to provide financial support and career-enhancing opportunities to encourage their continued excellence.
The Impact: The Barbara Laronde Award is given in the spirit of fostering the careers of emerging artists from Indigenous (on and off-reserve) communities in Northern Ontario. NWIA recognizes the specific barriers that many Northern artists face, and we aim to support Indigenous artists by creating connections, professional development, and exhibition opportunities through our programming initiatives. Since 1994, NWIA has delivered theater, dance, music, and spoken word presentations, exhibited visual and media arts, and published three books of Indigenous visual art and writing. We also hold community-driven artist talks, workshops, commissions, and symposiums. Our programming is offered to diverse audiences in Toronto, Northern Ontario, and online.
History: The Barbara Laronde award was created to honour the legacy of NWIA founder Sandra Laronde, and her vision and commitment to Indigenous artists Sandra Laronde’s 19 years of leadership at NWIA paved the way for many Indigenous artists at various stages of their careers. The award is named after her mother, Barbara, who has been the backbone of her family and a leader in the Northern Ontario community, Temagami First Nation. Barbara inspired her children to be creative and entrepreneurial, and it is with this spirit that NWIA launched this award.
The Home Fires series features pre-recorded full-length performances by Prado Monroe, G.R. Gritt, Angel Baribeau, Candace Curr with Withe, Leah Shenandoah, Melody McKiver, and RIIT.
These seven pre-recorded full-length concerts will be made available to the public to stream for free on NWIA’s YouTube Channel on June 1, 2022.
G.R. Gritt
Juno Award-winning G.R. Gritt pulls effortlessly from the past to create soulful futurisms. With their new sound that elegantly weaves the melodies using vocals, guitar, and electronic elements. they create both intimate and anthemic music that would fit in a folk club, a dance club, and anywhere in between. G.R. Gritt is a Two-Spirit, Transgender, Francophone, Anishinaabe and Métis artist.
Their music serves as one of these beacons of connection for all who come near it. Welcoming yet truthful, they reclaim space through songs that show that intersectional identity is expansive and not to be divided into parts. By exploring the emotional and cultural core of their heritage as a non-binary, queer, Indigenous artist they create new space and encourage others to do the same.
They are a Northern Ontario Music and Film Award (NOMFA) winning artist for Outstanding Album by an Indigenous Artist (for Quantum Tangle’s album “Shelter as we Go…”), and a nominee for Outstanding Engineer, and Outstanding Album. In 2021, they were nominated for 2 SSIMA Awards – Metis artist of the Year and Social Voice and they won the FMO Songs from the Heart – Political category Award.
G.R. Gritt released their full-length album, Ancestors, on April 16, 2021, on Coax Records, and their song “Ancestors ft. Kimmortal” made it onto Sirius XM Indigiverse’s Top 20 countdown for 2021.
Leah Shenandoah
Leah Shenandoah M.F.A, B.S., is a Wolf Clan Member of the Onyo’ta:aká: – Oneida Nation of the Haudenosaunee Confederacy. She is an indigenous scholar, artist, activist, and musician currently enrolled as an Apparel Design Ph.D. Candidate at Cornell University. Shenandoah combines indigenous methodologies, material culture, and activism to create a space of protection, comfort, and healing through her work.
Shenandoah received a Master’s of Fine Art from Rochester Institute of Technology in Metals and Jewelry, Magna Cum Laude. Her M.F.A thesis “O’whahsa’ – Protection, Comfort and Healing” was a multimedia experience based on the Haudenosaunee legend of Skywoman. It consisted of: five textile, paint, and steel sculptures, five sets of jewelry, five outfits, and a 45-minute DJ set with 12 original songs written and performed by Shenandoah at the Hungerford Gallery in Rochester, NY (YouTube link below). Shenandoah also received a Bachelor of Science in Textiles, Cum Laude from Syracuse University.
Her original compositions have received national and regional recognition. Shenandoah’s debut album, “Spectra” with producer JJ Boogie from Arrested Development, received a Native American Music Award for “Best Debut Album” and “Best Alternative Album” from the Syracuse Area Music Awards. Shenandoah’s art and jewelry have won awards from: Schemitzun Pow Wow, Eiteljorg Indian Market, & Ridgefield Fine Art Market. Her work has also been exhibited in national museums and exhibitions such as the “Changing Hands Exhibit” by the Museum of Art and Design, The McMichael Canadian Art Collection, Syracuse University Art Museum, Iroquois Museum, Longyear Museum, Fenimore Art Museum, National Museum of the American Indian, Bausch and Lomb Gallery, Institute of American Indian Art Museum of Contemporary Native Arts, Memorial Art Gallery, Lemoyne Art Gallery, Everson Museum of Art, Bevier Gallery, and the Alan Houzer Art Park. Shenandoah’s jewelry was showcased at the “Go Native Arts” fashion show with indigenous fashion designers Patricia Michaels and Dorothy Grant.
Prado Monroe
Born in Vancouver, Canada on the unceded territory of the Musqueam, Squamish, and Tsleil-Waututh First Nations peoples. Of Metis descent, her mom hails from the North End of Winnipeg – Point Douglas. Meanwhile, her father immigrated from Buenaventura, Colombia to Vancouver in the early 90s. Inspired by everything from Bjork, Whitney Houston, Nelly Furtado, Britney Spears, Crystal Waters – to the melodic trap sonics of Chief Keef, Azealia Banks, and Kanye West.
Prado Monroe was gifted her first guitar and quickly started self-producing and releasing music on Soundcloud under the moniker of “Alienkanye” at a prolific pace. The singer-songwriter, multi-instrumentalist and producer began leading pen to various artists; she was the contagious melodies behind various NY-based male internet rappers – further unearthing her love and disposition to wordplay and pop music, PM learned to lead without fear using her unique sound and no-bullshit delivery.
Candace Curr and Withe
Cedar withes are used by Nuu-chah-nulth and Haida nations to make rope; the more withes, the stronger the rope. A powerful performance with many musicians working together to create such strength and the more withes the stronger we are.
Candace Curr is a storyteller, artist, and musician from Ditidaht First Nation on Vancouver Island. With her voice and ukulele accompanied by Rob Thompson from Haida Nation, Clayton Charleybo from Tsilhqot’in Nation, Trevor Ainsworth, and Emily Best. Sentimental listening songs that make you reflect and feel, as Candace Curr & Withe share songs that explore their lives and experiences.
RIIT
From the land that never melts comes a sound that radiates life, youth, and promise. Riit, from majestic Panniqtuq, Nunavut, is a new artist making space for herself in the electropop world with Inuktitut lyrics and deep rhythmic vocals layered over gemological synth cuts and sticky, staticky electronic textures. Riot’s music emerges from very distinct circumstances of place, language, and experience.
Throughout her debut full-length album, produced by Graham Walsh (Holy Fuck) and recorded in Iqaluit, Nunavut, and Toronto, Riot sings about the clarity of forgiveness, the imprint of the past on the present, and personal disconnection. In Inuktitut, Riit’s songs explore family, life, and love. Riit also nods to Nunavut’s rich yet underapprecaited legacy of songwriters, with covers of Inuititut classics included on the record.
The monoamine-fueled flush of “qaumajuapik,” the first song shared from her forthcoming debut full-length album, expresses how intense attraction messes with your sense of time, where a single blink contains a universe. Heart races, clock stops. Produced by Graham Walsh (Holy Fuck), the song sweeps in on a buzzy gust before the Tangerine Dream-esque modulations kick in. Teardrop bleeps fall over Riit’s clear voice like a sunshower (the song title means ‘you are shining’).
On the strength of a 3-song EP released in 2017 by Aakuluk Music, Nunavut’s first record label, Riit was nominated for Best Radio Single (Indigenous Music Awards) and Indigenous Artist of the Year (Western Canadian Music Awards). The host of a groundbreaking Inuttitut-language children’s show, Anaana’s Tent, and soon-to-be recipient of an Emerging Talent Award of Excellence for her broadcast work, Riit is one of the faces of a Nunavut youth movement, a group of remarkable, driven and increasingly high-profile individuals who are creating mainstream waves through art. For an artist who has performed only a handful of shows, a performance in London for The Duke and Duchess of Sussex (Harry & Meghan) and a sold out show in Paris are highlights of a young career.
Now signed to Six Shooter Records, Riit will release her debut full-length album in 2019.
Melody McKiver
Melody McKiver’s (they/them) musical work integrates electronics with Western classical music to shape a new genre of Anishinaabe compositions. They are the current recipient of the Canada Council’s Robert Flaming Prize awarded annually to an exceptionally talented young Canadian composer, and a recurring invited participant in the Banff Centre for the Arts’ Indigenous Classical Music gatherings. A frequent performer across Turtle Island, Melody has performed at the National Arts Centre, Luminato Festival, Vancouver’s Western Front, and the Toronto International Film Festival. They have shared stages with Polaris Prize winners Lido Pimienta, Tanya Tagaq, and Jeremy Dutcher, and performed with acclaimed filmmaker and musician Alanis Obomsawin. As a composer, Melody was commissioned by Soundstreams and Jumblies Theatre to compose Odaabaanag, a string quartet responding to Steve Reich’s Different Trains, drawing on interviews conducted with Anishinaabe elders. Melody has scored several films and was invited to the Berlinale Talents Sound Studio as a music and composition mentor for the 2020 Berlin International Film Festival. Additional commissions have included Cluster Festival, Marina Thibeault, Duo AIRS, Carnegie Mellon University, TORQ Percussion, and the Elora Singers. A proud member of Obishikokaang Lac Seul First Nation, Melody is currently an Assistant Professor of Music Composition at the Brandon University School of Music and a member of the Mizi’iwe Aana Kwat (LGBTQ2S+ Council) within the Anishinaabe Nation of Treaty #3. Upcoming projects include a setting of Métis author Katherena Vermette’s poem river woman for SATB choir and percussion quartet and a full-length album in late 2022. Melody holds an MA in Ethnomusicology from Memorial University and a BFA in Music and Indigenous Studies from York University.
Angel Baribeau
With their breathtaking vocals paired and stunningly vulnerable lyrics that cascade over listeners’ emotional terrains, singer-songwriter Angel Baribeau is a notable force. This Montreal based, queer, non-binary, Indigenous artist originally from the Cree community of Mistissini, Quebec, first started through the formation of their early indie folk outfit, Simple Human Tribe. Their solo work gained momentum in 2014, when they were selected for feature on the #1 iTunes chart-topping N’we Jinan compilation album, Eeyou Istchee Volume 1.
Angel’s six-track EP’s debut single Love Is Up The River quickly garnered more than 20,000+ streams on Spotify and hit Top 10 on the NCI FM Indigenous Music Countdown. Their next single “Wish We Were Older” followed its path blazing its way to #1 on the Indigenous Music Countdown and was featured on CBC North & APTN National News. The official music video for the single won Best Music Video at the Toronto Indie Indie Shorts Film Festival 2021. Siibii’s gifts have attracted multiple recognitions including the Young Canadian Songwriters Award (2021) presented by SOCAN Foundation and the Canadian Walk of Fame, RBC Emerging Artist Program award (2021). Currently, Angel is casting their self-titled sophomore album, “Siibii”, set to be released in 2022, which will be an introspective compilation of works as they step into their reclaimed identity. Angel is a powerful changemaker, who unwaveringly upholds the responsibility they feel to pursue their talent while also pushing for more representation within the industry.
Native Women in the Arts (NWIA) is one of the leading arts organizations in Canada for Indigenous women and other gender marginalized Indigenous artists working at the intersection of customary and contemporary practices. NWIA serves as a site of artistic exchange, encouraging dialogue between artists and audiences about social, cultural, and political issues and their relationship to artistic expression.
Joe Wood was born in Nelson House MB, is a member of South Indian Lake First Nation, and identifies as Cree and Scottish. Joe is a self-taught visual and media artist who was raised as disabled. Her artistic practice has been a way to release anger, probe the unknown, and to express herself as a two-spirit person. Whether painting, drawing with charcoal or working with digital tools, Joe fearlessly pushes boundaries through her thoughtfully composed, minimalist aesthetic. Joe is based in North Bay, Ontario and has been a core member of Art Fix of Nipissing – a collective of artists with lived experience of mental health and substance use – contributing to project development, the design of an annual zine, and juried exhibition.
“Joe Wood’s recent work provides a glimpse into her experiences as a Two-Spirit Cree woman raised in Canada’s child welfare and mental health systems. The work is fierce yet vulnerable but most importantly, it is generous because it fearlessly speaks to truths Canada needs to hear. Her multimedia installations are created with a minimalist aesthetic which delivers a subtle yet meaningful impact – one which echoes Wood’s persona. I am grateful to this year’s Barbara Laronde jury members for providing Joe with a well-deserved opportunity to advance her career as she moves forward in her artistic endeavours.” – Chair of the Board, Aylan Couchie.
Wood was selected from a number of applications from across Northern Ontario. NWIA’s Artistic Director, Ariel Smith remarked:
“ On behalf of the Board and staff of NWIA, we are thrilled to present this award to Joe Wood, in recognition of her talent, her resilience, and her commitment to her craft and community. We have no doubt she will continue to grow and evolve as a practising artist and wish her all the best in her future endeavours. NWIA is excited to support the continuing creative and professional achievements of Joe Wood with a $2500 cash prize.”
The 5th annual Barbara Laronde Award will be presented to Joe Wood on Friday, January 17 at 6 PM as part of NWIA’s Inaabandam Symposium.
The Inaabandam Symposium runs January 17 – 19, 2020, at the Toronto Media Art Centre (TMAC) located at 32 Lisgar Street in Toronto. The symposium will open with the award presentation followed by a performance from Melody McKiver, a catered reception and bar, and beats from DJ Jams.
In recognition of 2019/2020 being the 5th year of the Barbara Laronde Award, NWIA is also presenting a visual arts exhibition comprised of works by the 2015-2019 Barbara Laronde Award winners: Aylan Couchie, Janelle Wawia, Lucille Atlookan, Caitlyn Bird, and Joe Wood.
All events on Friday, January 17 are FREE and open to the community even if you will not be attending the symposium for its duration.
The Barbara Laronde Award Exhibition will be running from Friday, January 17, 2020 – Friday, January 31, 2020, daily from 11 AM – 6 PM at TMAC located at 32 Lisgar Street, Toronto, ON.
The Barbara Laronde Award was created to honour the legacy of NWIA founder Sandra Laronde and her vision and commitment to Indigenous artists. It celebrates and acknowledges the career of one outstanding, emerging, Northern-Ontario based Indigenous Gender Marginalized artist, recognizing the geographic and economic barriers that many Northern artists face.
Sandra Laronde’s 19 years of leadership at NWIA paved the way for many Indigenous artists at various stages of their careers. The award is named after her mother, Barbara, who has been the backbone of her family and a leader in the Northern Ontario community, Temagami First Nation. Barbara inspired her children to be creative and entrepreneurial, and it is with this spirit that NWIA launched this award.
About the Inaabandum Symposium
The Inaabandam symposium will foreground issues of concern and interest to Indigenous Women and other Indigenous Gender Marginalized artists from multiple disciplines including film, performing arts, visual art, and customary practices.
Inaabandam will feature open teachings with elders, panel discussions, exhibition, and reception. The symposium will take place on January 17, 18 and 19, 2020, at the Toronto Media Art Centre. Registration for the symposium is now open.
Over 25 years, NWIA has delivered theatre, dance, music, and spoken word productions and published three books of Indigenous visual art and writing. We also produce a series of community-driven artist talks, leadership and cultural workshops, youth arts projects to audiences interested in arts, culture, and the advancement of Indigenous peoples.
Native Women in the Arts (NWIA) is pleased to officially announce the Inaabandam Symposium, co-presented with the Toronto Media Arts Centre.
REGISTRATION OPEN NOW!
Inaabandam will take place January 17, 18 and 19, 2020, at the Toronto Media Art Centre (TMAC) on the treaty lands and territory of the Mississauga of the Credit, and the traditional territories of the Huron Wendat, Haudenosaunee and Anishinaabe. Inaabandam (pronounced in-aw-buhn-duhm) means “to dream a certain way” in Anishinaabemowin.
The Inaabandam Symposium will foreground issues of concern and interest to Indigenous Women and other Indigenous Gender Marginalized artists from multiple disciplines including film, performing arts, visual arts, and customary practices.
Inaabandam will feature teachings with elders; panel discussions with Indigenous artists, curators and leaders; a visual art exhibition, and an opening night reception.
Panelist and moderators include Teddy Syrette, Melody McKiver, Tiio Horn, Janet Rogers, Jenny Blackbird, Kaya DaCosta, Joi T. Arcand, Vanessa Dion Fletcher, Susan Blight, Aylan Couchie, Darlene Naponse,Thirza Curhand, Fallon Simard, Niki Little, Megan Feheley, Jocelyn Piirainen, Raven Davies, Dan and Mary Lou Smoke, Elwood Jimmy, Pam Palmater, Tannis Neilson, and more!
On Friday, January 17, 2020, from 5 PM – 11 PM the Inaabandam Symposium will open with the presentation of the 5th annual Barbara Laronde Award to winner Joe Wood. This will be followed by a musical performance from Melody McKiver, and a catered reception with bar and beats by DJ Jams.
Friday, January 17, 2020, will also be the opening of the Barbara Laronde Award Exhibition, on site at TMAC. This special exhibition will include work from the winners of the 2015 – 2018 Barbara Laronde Awards: Aylan Couchie, Janelle Wawia, Lucille Atlookan, Caitlyn Bird, as well as the 2019 Barbara Laronde Award Winner – Joe Wood. All events on Friday, January 17 are free and opento the public even if you are not registering for the symposium and attending it for its duration.
The Barbara Laronde Award Exhibition will be running from Friday, January 17, 2020 – Friday, January 31, 2020, daily from 11 AM – 6 PM in TMAC’s “Small Gallery” at 32 Lisgar Street, Toronto, ON.
For more information on the Inaabandam Symposium, including schedule, event descriptions and accessibility, please visit the NWIA website www.nwia.ca/.
Registration
The cost of registration for the symposium will be $50 for the whole weekend or FREE for those who are low income. Registration for the symposium can be done at https://inaabandam.eventbrite.com.
Please note that after registering through Eventbrite NWIA will be sending delegates an Inaabandam Symposium info form to be filled out. This form allows us to get to know the needs of our symposium delegates (dietary, accessibility etc.) as we strive to best serve our community.
Travel Subsidy
NWIA is able to offer a limited amount of travel and accommodation subsidies for Indigenous delegates traveling from out of town, who would not otherwise be able to attend the symposium. Priority will be given to emerging artists and artists from more remote communities.
Those who qualify will be contacted to book travel and accommodation.
Accessibility
At Native Women the Arts, we aim to create an environment that is considerate, barrier-free and accommodating to our community. Please visit our in-depth accessibility page before attending the symposium for more info https://www.nwia.ca/insymp19accessibility/
If you require further assistance in attending the conference please contact Program Manager, Quach George at events@nwia.ca.
Barbara Laronde Award
The Barbara Laronde Award was created to honour the legacy of NWIA founder Sandra Laronde and her vision and commitment to Indigenous artists. It celebrates and acknowledges the career of one outstanding, emerging, Northern-Ontario based Indigenous Gender Marginalized artist, recognizing the geographic and economic barriers that many Northern artists face.
Sandra Laronde’s 19 years of leadership at NWIA paved the way for many Indigenous artists at various stages of their careers. The award is named after her mother, Barbara, who has been the backbone of her family and a leader in the Northern Ontario community, Temagami First Nation. Barbara inspired her children to be creative and entrepreneurial, and it is with this spirit that NWIA launched this award.
Toronto Media Arts Centre
The Toronto Media Arts Centre (TMAC) is a new permanent home for Toronto’s media arts organizations, and an accessible public space for art, creation and collaboration in the Queen West Triangle.
In the heart of Toronto’s Art and Design District, TMAC is a diverse and collaborative environment where everyone can engage meaningfully with art and technology. TMAC integrates creation, production, presentation, education, conservation and dissemination practices and with a focus on community building and inclusivity.
Native Women in the Arts
NWIA (Native Women in the Arts) is a not-for-profit organization for First Nations, Inuit and Métis women, and other Indigenous Gender Marginalized folks who share the common interest of art, culture, community and the advancement of Indigenous peoples.
**For NWIA “Gender Marginalized” includes Women, Trans Men, as well as Two Spirit people who may identify as Non-Binary or Gender Queer.
Native Women in the Arts (NWIA) is pleased to announce that we will be hosting a symposium titled Inaabandam January 17 – 19, 2020, in Toronto, Ontario.
The Inaabandam symposium will foreground issues of concern and interest to Indigenous Women and Gender Marginalized artists from multiple disciplines including film, performing arts, visual art, and customary practices.
Inaabandam will feature open teachings with elders, panel discussions, exhibitions, receptions, and screenings.
Inaabandam will take place January 17, 18 and 19, 2020, at the Toronto Media Art Centre on the treaty lands and territory of the Mississaugas of the Credit, and the traditional territories of the Huron – Wendat, Haudenosaunee, and Anishinaabe.
Registration for Inaabandam will begin on Friday, November 1, 2019.
The cost of registration will be $50 for the whole weekend or free for those who are low income and get be done through Eventbrite at https://inaabandam.eventbrite.com.
Inaabandam (pronounced in-aw-buhn-duhm) means to dream a certain way in Anishinaabemowin.
For NWIA “Gender Marginalized” includes Trans & Cis Women, Trans Men, as well as Two-Spirit people who may identify as Non-Binary or Gender Queer.
Stay tuned for the full program schedule and more details.
